EFL 1.14 and Enlightenment 0.19.5 are out - go to our Download page.

Enlightenment started as a project to build a Window Manager for X11. That was way back in 1996. It has grown much since. It still produces this Window Manager, but it has evolved to also cover Mobile, Wearable and TV UI needs for projects such as Tizen as well as traditional the desktop UI. We still push out releases, so see our download page for more details on the latest releases, or see our contribute page for source code repositories in their latest development state.

It also is in the transition from X11 to Wayland. We are fully committed to moving to Wayland eventually as this is definitely the future of the graphical display layer on Linux.

We still primarily support Linux for Enlightenment, but there is some effort (based on help and support from users and some developers) to support the BSDs.

In the process of developing a Window Manager, A set of libraries were developed in order to achieve that goal. These libraries are known collectively as EFL. They cover a range of functionality from main-loop, to graphics, scene graphs, networking, widgets, data storage, IPC and much more.

We now are starting to pull in bindings support directly into EFL. We are working on having bindings auto-generated for C++, Lua and Javascript (v8/node.js). We also would like to pull in our Python bindings in the future so we can support as many languages as possible and keep them up to date.

For our libraries, our primary development environment is Linux, but we make an effort to support the BSDs as fully as possible, as well as OSX and Windows.

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Enlightenment Main

...reconnecting the first global social network!

Electronic Enlightenment is the most wide-ranging online collection of edited correspondence of the early modern period, linking people across Europe, the Americas and Asia from the early 17th to the mid-19th century reconstructing one of the world's great historical conversations.

A subscription to EE will give you immediate access to 67,875 historical documents. Listen in on the first global social network as 8,331 historical figures discuss everything from religious tolerance to animal rights, vulcanology to classical archeology, economic modelling to celebrity culture.

All documents and biographies now have a registered DOI.

Now over 67,800 items of correspondence! Our latest update adds over 3,300 documents from six major collections centered on:

With over 500 additions and revisions our Biographical Dictionary now has over 8,300 entries!

For an overview of the update please read the latest News-sheet.

Electronic Enlightenment Project, Bodleian Libraries, University of Oxford, 20082015. All rights reserved. Distributed by Oxford University Press legal|privacy|home

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Electronic Enlightenment letters & lives online

Hilary Hinton "Zig" Ziglar (6 de noviembre de 1926 - 28 de noviembre de 2012) fue un escritor, vendedor, y orador motivacional estadounidense.

Zig Ziglar naci en el condado de Coffee, al sureste de Alabama y sus padres fueron John Silas Ziglar y Lila Wescott Ziglar. Fue el dcimo de doce hijos.[1]

En 1931, cuando Ziglar tena cinco aos, su padre acept un puesto directivo en una granja de Mississippi, y su familia se mud a Yazoo City, donde pas la mayor parte de su infancia. Al ao siguiente, su padre muri de un derrame cerebral, y su hermana menor muri dos das despus.

En 1944, conoci a su esposa, Jean, en la ciudad capital de Jackson, Mississippi; tena diecisiete aos y ella tena diecisis aos. Se casaron a finales de 1946.[2]

Ziglar, que haba estado sufriendo de neumona, muri a la edad de ochenta y seis aos en un hospital en Dallas, en el suburbio de Plano, el 28 de noviembre de 2012.

En ingls tiene 14 libros publicados.

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Zig Ziglar - Wikipedia, la enciclopedia libre

A performance, in the performing arts, generally comprises an event in which a performer or group of performers present one or more works of art to an audience. Usually the performers participate in rehearsals beforehand. Afterwards audience members often applaud. After a performance, performance measurement sometimes occurs. Performance measurement is the process of collecting, analyzing and/or reporting information regarding the performance of an individual, group, organization, system or component.

The means of expressing appreciation can vary by culture. Chinese performers will clap with the audience at the end of a performance; the return applause signals "thank you" to the audience.[1] In Japan, folk performing-arts performances commonly attract individuals who take photographs, sometimes getting up to the stage and within inches of performer's faces.[2]

Sometimes the dividing line between performer and the audience may become blurred, as in the example of "participatory theatre" where audience members get involved in the production.

Theatrical performances can take place daily or at some other regular interval. Performances can take place at designated performance spaces (such as a theatre or concert hall), or in a non-conventional space, such as a subway station, on the street, or in somebody's home.

Examples of performance genres include:

Music performance (a concert or a recital) may take place indoors in a concert hall or outdoors in a field, and may require the audience to remain very quiet, or encourage them to sing and dance along with the music.

A performance may also describe the way in which an actor performs. In a solo capacity, it may also refer to a mime artist, comedian, conjurer, or other entertainer.

Live performance events including theater, music, dance, opera, use sound production equipment and services like: staging, scenery, mechanicals, sound, lighting, video, special effects, transport, packaging, communications, costume and makeup to convince live audience members that there is no better place that they could be right now. This Live Event Support article provides information about many of the possible performance production support tools and services and how they relate to each other. Live performance events have a long history of using visual scenery, lighting, costume amplification and a shorter history of visual projection and sound amplification reinforcement. This article describes the technologies that have been used to amplify and reinforce Live events. The sections of this article together explain how the tools needed to stage, amplify and reinforce live events are interconnected.

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Performance - Wikipedia, the free encyclopedia

'WHAT? Did you really say what I think I heard?' is the remarkable new book by Sharon Drew Morgen.

For a limited period this amazing guide to improving communications (and thereby human understanding and relationships) is COMPLETELY FREE from DidIHearYou.com

Morgen's previous best-selling books have focused on business communications. This new book extends her brilliant guidance to ALL TYPES OF COMMUNICATIONS - for business folk, professional communicators, teachers, parents, and young people - everyone.

If you want to communicate better, or teach others how to, then this book will help you, perhaps even in a life-changing way.

(That was a personal recommendation - not a paid advert...)

Motivation is a complex and flexible matter. J Stacey Adams' Equity Theory - and the related diagram representation of Adams' Equity Theory - offer wonderfully clear ways to understand and teach others about the factors involved, and their potential to shift.

Creativity is not just for designers and artists - it's for everyone, and is hugely important for problem-solving and decision-making, leadership, presentations, working cooperatively with others, and many other work roles.

See the "This Pebble is..." creativity exercise on the new team/group exercises page 3.

Questioning is a powerful alternative to making statements.

Link:
Businessballs free online learning for careers, work ...

Download video ^ Right-click and select "Save Link As..." to force download.

If so, then there is no one who is more important or inspiring to listen to than Barbara Marx Hubbard. Barbara is celebrated as a national treasure by Jack Canfield and called THE voice for conscious evolution in our times by Deepak Chopra.

On her 85th birthday, true to her pioneering spirit, Barbara is inviting you to a special kind of birthday celebration one that not only marks her special day but also the third planetary birthday (she and leaders around the world declared December 22, 2012 Day 1 of a new era.)

While the nightly news can seem grim, and it appears that humanity might be headed for wholesale regression, the truth is that we all have the ability to help turn things around and birth the world that our hearts know is possible... one in which we treat all of our relations with respect, honor and care.

As we begin to unify around the world to co-create this new era, it becomes essential to highlight what is truly new, innovative and exciting.

Barbara is brilliant at seeing the deeper trends in what is emerging and identifying how we can cross the gap from breakdown to breakthrough.

Shes also uniquely gifted at sharing how social innovations on a wide scale can lead to massive new collaborations that can help avert the many crises we face and liberate more of humanitys emergent potential.

During the broadcast, Barbara will address the leading edge of human evolution, showing where we are now and more importantly her vision for where we are going.

For instance, she will speak about how we can collectively use 2020 as the next focal point for deliberately accelerating positive change.

While we don't yet know what she will share as part of her vision, we have no doubt that she will dazzle you with new insights and breathtaking possibilities, opening up your heart and mind to the signs of positive evolution around you.

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Barbara Marx Hubbards 85th Birthday Broadcast | The Shift ...

Imagine being part of a conscious global community of like-minded souls who are passionately co-creating a new possibility for our planet under the guidance of top evolutionary leaders and visionaries. Now, you can learn how to better activate the next phase of your evolution and contribute your unique gifts to a global, heart-centered movement that is co-creating a healthy, sustainable, peaceful and prosperous world for all.

We stand at the threshold of a great possibility for both ourselves and our planet.

Its a time of incredible challenge and opportunity a time that many indigenous traditions across the globe have foretold as the completion of a great cycle and the dawn of a new era of promise and potential for humanity.

The suffering born of the old ways is immense, leading to broken families, fractured communities, war, degradation, oppression, addictions and more. Your heart probably aches when you see the news and feel just how much fear and pain stifle the potential of our world.

And yet, we are on the cusp of creating something profound and beautiful: a new era of peace.

If you are reading this message, you are likely feeling the inner call to seize this rare opportunity and actively participate in this great planetary transformation.

And to do so, you need to go beyond the competitive and world-destroying models of the past to become what we call a Co-creator.

The Co-creator is emerging at this critical moment in history as we birth a more mature, evolved human expression on a wider scale. We are literally growing into a new human possibility, which means the root patterns of how we live, think and move are going through a new evolution.

Beloved planetary elder Barbara Marx Hubbard offers a compelling vision that the Co-creator archetype is at the heart of this next evolution of humanity and as we embrace it, much of the stress, isolation and fear of the last era dissipates, and we can grow into our full self-expression in far-reaching ways.

Thats because the Co-creator relinquishes the need to have power over others and celebrates the emergence of authentic partnership. The Co-creator engages in supra-sex by joining their unique genius with others to design the communities and organizations that can birth a new culture.

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Co-Creators Rising with Barbara Marx Hubbard | The Shift ...

In the practice of Yoga, Asana denotes the art of sitting still[1] and also any posture useful for restoring and maintaining a practitioner's well-being and improving the body's flexibility and vitality, cultivating the ability to remain in seated meditation for extended periods.[2] Such asanas are known in English as "yoga postures" or "yoga positions". Any way that we may sit or stand is an asana while a posture used in yoga is called a yogasana. Modern usage includes lying on the back, standing on the head and a variety of other positions.[2]

In yoga asana refers both to the place in which a practitioner (yogin or yogi if male, yogini if female) sits and the posture in which he or she sits.[3] In the Yoga Sutras, Patanjali defines asana as "to be seated in a position that is firm, but relaxed".[4] Patanjali mentions the ability to sit for extended periods as one of the eight limbs of his system, known as Raja yoga,[5] but does not mention standing postures. Beginners generally find it surprisingly difficult to sit still for the one hour (as practised in meditation methods such as Vipassana).

Yoga in the West is commonly practised in physical exercise or alternative medicine rather than as a basic meditation skill.[6]

Asana (//; listen(helpinfo) Sanskrit: sana [sn] 'sitting down', < s 'to sit down'[7]) originally meant a sitting position. The word asana in Sanskrit does appear in many contexts denoting a static physical position, although traditional usage is specific to the practice of yoga. Traditional usage defines asana as both singular and plural. In English, plural for asana is defined as asanas. In addition, English usage within the context of yoga practice sometimes specifies yogasana or yoga asana, particularly with regard to the system of the Ashtanga Vinyasa Yoga. However, yogasana is also the name of a particular posture that is not specifically associated with the Vinyasa system, and that while "ashtanga" (small 'a') refers to the eight limbs of Yoga delineated below, Ashtanga (capital 'A') refers to the specific system of Yoga developed by Sri Krishnamacharya at the Mysore Palace.

Yoga first originated in India. In the Yoga Sutras, Patanjali describes asana as the third of the eight limbs of classical, or Raja Yoga. Asanas are the physical movements of yoga practice and, in combination with pranayama or breathing techniques constitute the style of yoga referred to as Hatha Yoga.[8] In the Yoga Sutra, Patanjali describes asana as a "firm, comfortable posture", referring specifically to the seated posture, most basic of all the asanas. He further suggests that meditation is the path to samdhi; transpersonal self-realization.[9]

The eight limbs are, in order, the yamas (restrictions), niyamas (observances), asanas (postures), pranayama (breath work), pratyahara (sense withdrawal or non-attachment), dharana (concentration), dhyana (meditation), and samadhi (realization of the true Self or Atman, and unity with Brahman (The Hindu Concept of God)).[5][9]

In the Yoga Sutras, Patanjali suggests that the only requirement for practicing asanas is that it be "steady and comfortable".[5] The body is held poised with the practitioner experiencing no discomfort. When control of the body is mastered, practitioners are believed to free themselves from the duality of heat/cold, hunger/satiety, joy/grief, which is the first step toward the unattachment that relieves suffering.[10] This non-dualistic perspective comes from the Sankya school of the Himalayan Masters.[11]

Listed below are traditional practices for performing asanas:[13]

Pranayama, or breath control, is the Fourth Limb of ashtanga, as set out by Patanjali in the Yoga Sutra. The practice is an integral part of both Hatha Yoga and Ashtanga Vinyasa Yoga in the execution of asanas.

Patanjali discusses his specific approach to pranayama in verses 2.49 through 2.51, and devotes verses 2.52 and 2.53 of the Sutra to explaining the benefits of the practice.[14] Patanjali describes pranayama as the control of the enhanced "life force" that is a result of practicing the various breathing techniques, rather than the exercises themselves.[15][16] The entirety of breathing practices includes those classified as pranayama, as well as others called svarodaya, or the "science of breath". It is a vast practice that goes far beyond the limits of pranayama as applied to asana.[17]

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Asana - Wikipedia, the free encyclopedia

Un article de Wikipdia, l'encyclopdie libre.

Le yoga (sanskrit devangar: ; union, joug)[1] est l'une des six coles orthodoxes de la philosophie indienne stika. Il est devenu, particulirement en Occident, une discipline visant, par la mditation, l'ascse morale et les exercices corporels, raliser l'unification de l'tre humain dans ses aspects physique, psychique et spirituel[2].

Il n'existe pas de date atteste pour les origines de la conception du yoga. C'est entre le IIesicle av.J.-C. et le Vesicle que Patajali codifie la philosophie du yoga en rdigeant les Yoga Stra, texte de rfrence et synthse de toutes les thories existantes[3].

Les quatre voies (mrga) traditionnelles majeures de yoga sont le jnana-yoga, bhakti-yoga, karma-yoga et raja-yoga.

Le terme yoga est communment utilis aujourd'hui pour dsigner le hatha-yoga, mme si cette discipline n'en est qu'une branche.

En 2014, l'ONU dcrte le 21 juin Journe internationale du yoga[4].

Le mot yoga (devnagar: ) est, dans la langue sanskrite, un nom masculin construit par adjonction la racine YUJ- d'une voyelle thmatique -a [5]. Lorsque cette drivation primaire s'effectue sur une racine porte au degr plein (dit aussi degr gua), elle fournit le thme d'un nom d'action gnralement masculin. Porte au degr gua, la racine YUJ- devient YOJ-. Les lois phontiques du sanskrit demandent de prononcer, dans certains cas, la palatale sonore j- sur le point d'articulation de la gutturale sonore g-[6] .

Le radical YOJ- devient donc YOG-. Ce radical provient du mot Indo-Europen *yugm, lui-mme drive de la racine *yeug-. En Indo-Europen comme dans la plupart des langues filles, ce mot a gard son sens originel de joug (par exemple: yukan en hittite, iugum en latin, en persan, etc.)[7].

YOG- permet ensuite diffrentes drivations primaires, dont celle du thme nominal yoga- qui, dment dclin, peut alors exercer une fonction nominale dans une phrase sanskrite, tel le stra que voici: yoga cittavttinirodha. Ce verset de Patajali, qui dfinit prcisment ce qu'est le yoga, est une phrase nominale compose de deux termes, un nom simple yoga et un nom compos de trois thmes juxtaposs cittavttinirodha[8] tous deux dclins au nominatif (la dsinence -s du nominatif parait ici, pour des raisons phontiques, sous les formes - et -).

La racine sanskrite YUJ- signifie "atteler, unir". Le mot "yoga" a, en sanskrit, les sens suivants: "1) action d'atteler; 2) mthode pour dresser les chevaux; 3) mode d'emploi, technique; 4) discipline spirituelle; 5) rja-yoga; 6) hatha-yoga; 7) tat d'union ou d'unit de l'tre subjectif avec le suprme (selon Shr Aurobindo)"[9].

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Yoga Wikipdia

An Introduction to Buddhism

To do no evil;

To cultivate good;

To purify one's mind:

This is the teaching of the Buddhas.

--The Dhammapada

The Buddha was born Siddhartha Gautama, a prince of the Sakya tribe of Nepal, in approximately 566 BC. When he was twentynine years old, he left the comforts of his home to seek the meaning of the suffering he saw around him. After six years of arduous yogic training, he abandoned the way of self-mortification and instead sat in mindful meditation beneath a bodhi tree.

On the full moon of May, with the rising of the morning star, Siddhartha Gautama became the Buddha, the enlightened one.

The Buddha wandered the plains of northeastern India for 45 years more, teaching the path or Dharma he had realized in that moment. Around him developed a community or Sangha of monks and, later, nuns, drawn from every tribe and caste, devoted to practicing this path. In approximately 486 BC, at the age of 80, the Buddha died. His last words are said to be...

Impermanent are all created things;

Link:
An Introduction to Buddhism