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George Bernard Shaw | Biography, Plays, & Facts …

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George Bernard Shaw, (born July 26, 1856, Dublin, Irelanddied November 2, 1950, Ayot St. Lawrence, Hertfordshire, England), Irish comic dramatist, literary critic, and socialist propagandist, winner of the Nobel Prize for Literature in 1925.

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George Bernard Shaw is famous for his role in revolutionizing comedic drama. He was also a literary critic and a prominent British socialist. Shaws most financially successful work, Pygmalion, was adapted into the popular Broadway musical My Fair Lady. He won the Nobel Prize for Literature in 1925.

George Bernard Shaw was born in Dublin, Ireland, as the youngest of three children. He was raised in genteel poverty, and his mothers career as a professional singer influenced his interest in music, art, and literature. He remained relatively impoverished throughout his 20s, trying his hand at novel-writing several times to no avail.

George Bernard Shaw wrote rather unmemorable fiction throughout his 20s and early 30s. In 1885 the drama critic William Archer recruited Shaw to write book, art, and musical reviews in various publications. In 1895 Shaw began writing for the Saturday Review as a theatre critic, and from there he began to write his first plays.

George Bernard Shaws plays are thematically diverse. He wove threads of humour and romance between analyses of contemporary hypocrisies and social tensions. About the beginning of the 20th century, Shaw began affixing lengthy prefaces to his plays that engaged more deeply with their philosophical foundations.

In the mid-1880s George Bernard Shaw joined the Fabian Society, a newly formed socialist club for middle-class intellectuals hoping to transform English society through culture. He remained a socialist for the rest of his life. He also became a pacifist and an antiwar activist, attracting much criticism during World War I.

George Bernard Shaw was the third and youngest child (and only son) of George Carr Shaw and Lucinda Elizabeth Gurly Shaw. Technically, he belonged to the Protestant ascendancythe landed Irish gentrybut his impractical father was first a sinecured civil servant and then an unsuccessful grain merchant, and George Bernard grew up in an atmosphere of genteel poverty, which to him was more humiliating than being merely poor. At first Shaw was tutored by a clerical uncle, and he basically rejected the schools he then attended; by age 16 he was working in a land agents office.

Shaw developed a wide knowledge of music, art, and literature as a result of his mothers influence and his visits to the National Gallery of Ireland. In 1872 his mother left her husband and took her two daughters to London, following her music teacher, George John Vandeleur Lee, who from 1866 had shared households in Dublin with the Shaws. In 1876 Shaw resolved to become a writer, and he joined his mother and elder sister (the younger one having died) in London. Shaw in his 20s suffered continuous frustration and poverty. He depended upon his mothers pound a week from her husband and her earnings as a music teacher. He spent his afternoons in the British Museum reading room, writing novels and reading what he had missed at school, and his evenings in search of additional self-education in the lectures and debates that characterized contemporary middle-class London intellectual activities.

His fiction failed utterly. The semiautobiographical and aptly titled Immaturity (1879; published 1930) repelled every publisher in London. His next four novels were similarly refused, as were most of the articles he submitted to the press for a decade. Shaws initial literary work earned him less than 10 shillings a year. A fragment posthumously published as An Unfinished Novel in 1958 (but written 188788) was his final false start in fiction.

Despite his failure as a novelist in the 1880s, Shaw found himself during this decade. He became a vegetarian, a socialist, a spellbinding orator, a polemicist, and tentatively a playwright. He became the force behind the newly founded (1884) Fabian Society, a middle-class socialist group that aimed at the transformation of English society not through revolution but through permeation (in Sidney Webbs term) of the countrys intellectual and political life. Shaw involved himself in every aspect of its activities, most visibly as editor of one of the classics of British socialism, Fabian Essays in Socialism (1889), to which he also contributed two sections.

Eventually, in 1885, the drama critic William Archer found Shaw steady journalistic work. His early journalism ranged from book reviews in the Pall Mall Gazette (188588) and art criticism in the World (188689) to brilliant musical columns in the Star (as Corno di Bassettobasset horn) from 1888 to 1890 and in the World (as G.B.S.) from 1890 to 1894. Shaw had a good understanding of music, particularly opera, and he supplemented his knowledge with a brilliance of digression that gives many of his notices a permanent appeal. But Shaw truly began to make his mark when he was recruited by Frank Harris to the Saturday Review as theatre critic (189598); in that position he used all his wit and polemical powers in a campaign to displace the artificialities and hypocrisies of the Victorian stage with a theatre of vital ideas. He also began writing his own plays.

When Shaw began writing for the English stage, its most prominent dramatists were Sir A.W. Pinero and H.A. Jones. Both men were trying to develop a modern realistic drama, but neither had the power to break away from the type of artificial plots and conventional character types expected by theatregoers. The poverty of this sort of drama had become apparent with the introduction of several of Henrik Ibsens plays onto the London stage around 1890, when A Dolls House was played in London; his Ghosts followed in 1891, and the possibility of a new freedom and seriousness on the English stage was introduced. Shaw, who was about to publish The Quintessence of Ibsenism (1891), rapidly refurbished an abortive comedy, Widowers Houses, as a play recognizably Ibsenite in tone, making it turn on the notorious scandal of slum landlordism in London. The result (performed 1892) flouted the threadbare romantic conventions that were still being exploited even by the most daring new playwrights. In the play a well-intentioned young Englishman falls in love and then discovers that both his prospective father-in-laws fortune and his own private income derive from exploitation of the poor. Potentially this is a tragic situation, but Shaw seems to have been always determined to avoid tragedy. The unamiable lovers do not attract sympathy; it is the social evil and not the romantic predicament on which attention is concentrated, and the action is kept well within the key of ironic comedy.

The same dramatic predispositions control Mrs. Warrens Profession, written in 1893 but not performed until 1902 because the lord chamberlain, the censor of plays, refused it a license. Its subject is organized prostitution, and its action turns on the discovery by a well-educated young woman that her mother has graduated through the profession to become a part proprietor of brothels throughout Europe. Again, the economic determinants of the situation are emphasized, and the subject is treated remorselessly and without the titillation of fashionable comedies about fallen women. As with many of Shaws works, the play is, within limits, a drama of ideas, but the vehicle by which these are presented is essentially one of high comedy.

Shaw called these first plays unpleasant, because their dramatic power is used to force the spectator to face unpleasant facts. He followed them with four pleasant plays in an effort to find the producers and audiences that his mordant comedies had offended. Both groups of plays were revised and published in Plays Pleasant and Unpleasant (1898). The first of the second group, Arms and the Man (performed 1894), has a Balkan setting and makes lighthearted, though sometimes mordant, fun of romantic falsifications of both love and warfare. The second, Candida (performed 1897), was important for English theatrical history, for its successful production at the Royal Court Theatre in 1904 encouraged Harley Granville-Barker and J.E. Vedrenne to form a partnership that resulted in a series of brilliant productions there. The play represents its heroine as forced to choose between her clerical husbanda worthy but obtuse Christian socialistand a young poet who has fallen wildly in love with her. She chooses her seemingly confident husband because she discerns that he is actually the weaker man. The poet is immature and hysterical but, as an artist, has a capacity to renounce personal happiness in the interest of some large creative purpose. This is a significant theme for Shaw; it leads on to that of the conflict between man as spiritual creator and woman as guardian of the biological continuity of the human race that is basic to a later play, Man and Superman. In Candida such speculative issues are only lightly touched on, and this is true also of You Never Can Tell (performed 1899), in which the hero and heroine, who believe themselves to be respectively an accomplished amorist and an utterly rational and emancipated woman, find themselves in the grip of a vital force that takes little account of these notions.

The strain of writing these plays, while his critical and political work went on unabated, so sapped Shaws strength that a minor illness became a major one. In 1898, during the process of recuperation, he married his unofficial nurse, Charlotte Payne-Townshend, an Irish heiress and friend of Beatrice and Sidney Webb. The apparently celibate marriage lasted all their lives, Shaw satisfying his emotional needs in paper-passion correspondences with Ellen Terry, Mrs. Patrick Campbell, and others.

Shaws next collection of plays, Three Plays for Puritans (1901), continued what became the traditional Shavian prefacean introductory essay in an electric prose style dealing as much with the themes suggested by the plays as the plays themselves. The Devils Disciple (performed 1897) is a play set in New Hampshire during the American Revolution and is an inversion of traditional melodrama. Caesar and Cleopatra (performed 1901) is Shaws first great play. In the play Cleopatra is a spoiled and vicious 16-year-old child rather than the 38-year-old temptress of Shakespeares Antony and Cleopatra. The play depicts Caesar as a lonely and austere man who is as much a philosopher as he is a soldier. The plays outstanding success rests upon its treatment of Caesar as a credible study in magnanimity and original morality rather than as a superhuman hero on a stage pedestal. The third play, Captain Brassbounds Conversion (performed 1900), is a sermon against various kinds of folly masquerading as duty and justice.

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Bernard Shaw Wiki: From Bodyguard to Patty Hearsts Husband

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The story of an heiress joining a terrorist group is detailed in CNNs six-part documentary,The Radical Story of Patty Hearst. In it, those who knew Hearst speak out about her life and family. If you want to know more about Patty Hearsts husband, then keep reading for details from Bernard Shaws wiki.

The Radical Story of Patty Hearstconcludedon February 25, 2018. The docuseries was based on the book,American Heiress: The Wild Saga of the Kidnapping, Crimes and Trial of Patty Hearstby Jeffrey Toobin, who brought the heiress life to the small screen. Hearst was reportedly not happy with the three-night docuseries.

In a statement released before its premiere, Hearst criticized Toobin and CNN for sharing her story, rather than letting her tell it herself.

Hearst has been through a lot in her life. She was kidnapped and physically assaulted by a domestic terrorist group in 1974 known as the Symbionese Liberation Army. She was found 19 months later, but by then, she was a wanted criminal.

Two months after her release from prison, Hearst married Bernard Lee Shaw.

Born Bernard Lee Shaw on September 3, 1945, he graduated from the University of San Francisco. Afterwards, he served in the Army.

In 1983, Shaw started working for the Hearst Corporation. Shaw was a former San Francisco police officer and bodyguard of Patty Hearst.

At the time of his death, Shaw was Hearsts vice president for corporate security.

Bernard Shaw met Patty Hearst in 1976 after she was released from jail, with bail pending. A year later, he was granted a divorce from his first wife.

Shaw was one of 20 bodyguards hired by Hearsts family. When her appeal was turned down by the United States Supreme Court, she was sent back to prison.

However, Shaw continued to visit her in prison four times a week. The couple got engaged on February 14, 1978.

The following year, President Jimmy Carter reduced Hearsts sentence. The couple tied the knot in a brief but well-publicized Episcopal ceremony at a naval base in San Francisco Bay.

Talking about her familys view on their marriage, Hearst said, My parents gave us a Sears vacuum cleaner as a wedding present. They thought it wouldnt last.

The couple went on to have two daughters named Gillian Hearst Simonds and Lydia Hearst-Shaw.

Bernard Shaw also has two kids from his first marriageThomas Shaw and Heather Shaw.

Shaw passed away on December 17, 2013, at the age of 68 in Garrison, New York, surrounded by family. The cause of his death was reportedly a long battle with cancer.

A representative for his familysaid, He went peacefully at home with his wife of 34 years, sister Joan, and daughters Lydia Hearst and Gillian Hearst-Simonds, along with [her] husband Christian Simonds by his side. He was loved deeply by his family and adored by everyone who had the pleasure of meeting and knowing him. We kindly ask that you respect the privacy of the family during this time.

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George Bernard Shaw (Author of Pygmalion) –

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George Bernard Shaw was an Irish playwright, socialist, and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama. Over the course of his life he wrote more than 60 plays. Nearly all his plays address prevailing social problems, but each also includes a vein of comedy that makes their stark themes more palatable. In these works Shaw examined education, marriage, religion, government, health care, and class privilege.

An ardent socialist, Shaw was angered by what he perceived to be the exploitation of the working class. He wrote many brochures and speeches for the Fabian Societ

An ardent socialist, Shaw was angered by what he perceived to be the exploitation of the working class. He wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council.

In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St. Lawrence in a house now called Shaw's Corner.

He is the only person to have been awarded both a Nobel Prize for Literature (1925) and an Oscar (1938). The former for his contributions to literature and the latter for his work on the film "Pygmalion" (adaptation of his play of the same name). Shaw wanted to refuse his Nobel Prize outright, as he had no desire for public honours, but he accepted it at his wife's behest. She considered it a tribute to Ireland. He did reject the monetary award, requesting it be used to finance translation of Swedish books to English.

Shaw died at Shaw's Corner, aged 94, from chronic health problems exacerbated by injuries incurred by falling.

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George Bernard Shaw – Simple English Wikipedia, the free …

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George Bernard Shaw (26 July 1856 2 November 1950) was an Irish writer. He won the Nobel Prize in Literature in 1925.

His best known works are his plays, some of which were made into movies. He wrote many plays about political problems, and those plays sometimes gave him enemies. For example, he wrote a play about prostitution, and another about women's rights.

His play Saint Joan was made into a movie in 1957.

His play Pygmalion was made into a movie twice. The first Pygmalion movie won him an Academy Award for the best adapted screenplay, 1938. Later, the play was also made into a musical play called My Fair Lady. The movie based on that musical won 8 Academy Awards in 1964.

Shaw was the only person to win a Nobel Prize as well as an Academy Award.[1]

Shaw also wrote musical criticism using the pseudonym (made-up name) Corno di Bassetto (which means: Basset horn).

In 1962, his play Androcles and the Lion was printed in a two-language version. On one side of the book, the text is written using regular English. On the other side, it is written using the Shaw alphabet.

Shaw was a vegetarian,[2] did not drink alcohol, and spoke strongly in favor of socialism and women's rights. He was also interested in making the English language easier to spell.[3] In his will, he left money to be used to make a new alphabet. He wanted the new alphabet to have at least 40 letters, so that each sound could be spelled with just one letter.

Shaw delivered speeches supporting the idea of eugenics (selected breeding to improve the human race) and he became a noted figure in the movement in England.[4] He sometimes exaggerated his arguments to an extreme to expose the cruelty that might come from this.[4]

George Bernard Shaw - Simple English Wikipedia, the free ...

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George Bernard Shaw – Plays, Works & Education – Biography

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Irish playwright George Bernard Shaw wrote more than 60 plays during his lifetime and was awarded the Nobel Prize in Literature in 1925.

George Bernard Shaw was born July 26, 1856, in Dublin, Ireland. In 1876 he moved to London, where he wrote regularly but struggled financially. In 1895, he became a theater critic for the Saturday Review and began writing plays of his own. His play Pygmalion was later made into a film twice, and the screenplay he wrote for the first version of it won an Oscar. During his lifetime, he wrote more than 60 plays and won many other awards, among them the Nobel Prize.

Playwright George Bernard Shaw was born in Dublin, Ireland, on July 26, 1856. The third and youngest child, Shaw's early education took the form of tutoring sessions provided by his clerical uncle.

Early on, Shaw explored the worlds of the arts (music, art, literature) under his mother's guidance and through regular visits to the National Gallery of Ireland. In 1872, Shaw's mother left her husband and took Shaw's two sisters to London, and four years later Shaw followed (his younger sister had died in the meantime), deciding to become a writer. Shaw struggled financially, and his mother essentially supported him while he spent time in the British Museum reading room, working on his first novels.

Unfortunately, despite the time he spent writing them, his novels were dismal failures, widely rejected by publishers. Shaw soon turned his attention to politics and the activities of the British intelligentsia, joining the Fabian Society in 1884. The Fabian Society was a socialist group whose goal was nothing short of the transformation of England through a more vibrant political and intellectual base, and Shaw became heavily involved, even editing a famous tract the group published (Fabian Essays in Socialism, 1889).

The year after he joined the Fabian Society, Shaw landed some writing work in the form of book reviews and art, music and theater criticism, and in 1895 he was brought aboard the Saturday Review as its theater critic. It was at this point that Shaw began writing plays of his own.

Shaw's first plays were published in volumes titled "Plays Unpleasant" (containing Widowers' Houses, The Philanderer and Mrs. Warren's Profession) and "Plays Pleasant" (which had Arms and the Man, Candida, The Man of Destiny and You Never Can Tell). The plays were filled with what would become Shaw's signature wit, accompanied by healthy doses of social criticism, which stemmed from his Fabian Society leanings. These plays would not go on to be his best remembered, or those for which he had high regard, but they laid the groundwork for the oversized career to come.

Toward the end of the 19th century, beginning with Caesar and Cleopatra (written in 1898), Shaw's writing came into its own, the product of a mature writer hitting on all cylinders. In 1903, Shaw wrote Man and Superman, whose third act, "Don Juan in Hell," achieved a status larger than the play itself and is often staged as a separate play entirely. While Shaw would write plays for the next 50 years, the plays written in the 20 years after Man and Superman would become foundational plays in his oeuvre. Works such as Major Barbara (1905), The Doctor's Dilemma (1906), Pygmalion (1912),Androcles and the Lion (1912) and Saint Joan (1923) all firmly established Shaw as a leading dramatist of his time. In 1925, Shaw was awarded the Nobel Prize in Literature.

Pygmalion, one of Shaw's most famous plays, was adapted to the big screen in 1938, earning Shaw an Academy Award for writing the screenplay.Pygmalion went on to further fame when it was adapted into a musical and became a hit, first on the Broadway stage (1956) with Rex Harrison and Julie Andrews, and later on the screen (1964) with Harrison and Audrey Hepburn.

Shaw died in 1950 at age 94 while working on yet another play.

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Shavian alphabet – Wikipedia

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The Shavian alphabet (also known as the Shaw alphabet) is an alphabet conceived as a way to provide simple, phonetic orthography for the English language to replace the difficulties of conventional spelling. It was posthumously funded by and named after Irish playwright George Bernard Shaw. Shaw set three main criteria for the new alphabet: it should be (1) at least 40 letters; (2) as "phonetic" as possible (that is, letters should have a 1:1 correspondence to phonemes); and (3) distinct from the Latin alphabet to avoid the impression that the new spellings were simply "misspellings".

The Shavian alphabet consists of three types of letters: tall, deep and short.[1] Short letters are vowels, liquids (r, l) and nasals; tall letters (except Yea and Hung ) are voiceless consonants. A tall letter rotated 180 or flipped, with the tall part now extending below the baseline, becomes a deep letter, representing the corresponding voiced consonant (except Haha ). The alphabet is therefore to some extent featural.

There are no separate capital or lowercase letters as in the Latin script; instead of using capitalization to mark proper names, a "naming dot" () is placed before a name. All other punctuation and word spacing is similar to conventional orthography.[1]

Each character in the Shavian Alphabet requires only a single stroke to be written on paper. The writing utensil needs to be lifted up only once when writing each character, thus enabling faster writing.

Spelling in Androcles follows the phonemic distinctions of British Received Pronunciation except for explicitly indicating vocalic "r" with the above ligatures. Most dialectical variations of English pronunciation can be regularly produced from this spelling, but those who do not make certain distinctions, particularly in the vowels, find it difficult to produce the canonical spellings spontaneously. For instance, most North American dialects merge // and // (the fatherbother merger). Canadian English, as well as many American dialects (particularly in the west and near the CanadaUS border), also merge these phonemes with //, which is known as the cotcaught merger. In addition, some American dialects merge // and // before nasal stops (the pinpen merger).

There is no ability to indicate word stress; however, in most cases the reduction of unstressed vowels is sufficient to distinguish word pairs that are distinguished only by stress in spoken discourse. For instance, convict /knvkt/ and convict /knvkt/ can be spelled and respectively.

Additionally, certain common words are abbreviated as single letters. The words the (), of (), and (), to (), and often for () are written with the single letters indicated.

Shaw had served from 1926 to 1939 on the BBC's Advisory Committee on Spoken English, which included several exponents of phonetic writing. He also knew Henry Sweet, creator of Current Shorthand (and a prototype for the character of Henry Higgins), although Shaw himself used the shorthand system of Isaac Pitman. All of his interest in spelling and alphabet reform was made clear in Shaw's will of June 1950, in which provision was made for (Isaac) James Pitman, with a grant in aid from the Public Trustee, to establish a Shaw Alphabet. Following Shaw's death in November 1950, and after some legal dispute, the Trustee announced a worldwide competition to design such an alphabet, with the aim of producing a system that would be an economical way of writing and of printing the English language.

A contest for the design of the new alphabet was won by four people, including Ronald Kingsley Read. Read was then appointed to amalgamate the four designs to produce the new alphabet.

Due to the contestation of Shaw's will, the trust charged with developing the new alphabet could afford to publish only one book: a version of Shaw's play Androcles and the Lion, in a bi-alphabetic edition with both conventional and Shavian spellings. (1962 Penguin Books, London). Copies were sent to major libraries in English-speaking countries.

Between 1963 and 1965, 8 issues of the journal, Shaw-script, were published by Kingsley Read in Worcester, U.K. The journal used Shaw's Alphabet, and much of the content was submitted by Shaw enthusiasts. In more recent years, there have been several published works of classical literature transliterated into Shavian.

The first, released in 2012, was the works of Edgar Allan Poe entitled Poe Meets Shaw: The Shaw Alphabet Edition of Edgar Allan Poe, by Tim Browne. This book was published via Shaw Alphabet Books and had two editions in its original release. One, like Androcles and the Lion, had Shavian side-by-side with the Latin equivalent and the other was a Shavian only edition.

The second, released in 2013, was an edition of Alice's Adventures in Wonderland, transcribed into Shavian by Thomas Thurman.[2] This was published as a Shaw only edition with no side-by-side Latin equivalent. The Shavian fonts were designed by Michael Everson.

Some disagreement has arisen among the Shavian community in regard to soundsymbol assignments, which have been the topic of frequent arguments. Primarily, this has concerned the alleged reversal of two pairs of letters.[citation needed]

The most frequent disagreement of the letter reversals has been over the HahaHung pair. The most convincing evidence suggesting this reversal is in the names of the letters: The unvoiced letter Haha is deep, while the voiced Hung, which suggests a lower position, is tall. This is often assumed to be a clerical error introduced in the rushed printing of the Shavian edition of Androcles and the Lion.[citation needed] This reversal obscures the system of tall letters as voiceless consonants and deep letters as voiced consonants.

Proponents of traditional Shavian, however, have suggested that Kingsley Read may not have intended for this system to be all-encompassing, though it seems that vertical placement alone served this purpose in an earlier version of Shavian, before the rotations were introduced. Also, Read may have intentionally reversed these letters, perhaps to emphasize that these letters represent unrelated sounds, which happen to occur in complementary distribution.

Both sides of the debate have suggested other reasons, including associations with various styles of Latin letters (namely, the /g/ in /-ing/, often written with a bottom-loop in script) and the effect of letter-height on the coastlines of words, but whether Read considered any of these is uncertain. Since the letter representing the same sound in Read's Quikscript appears identical to "Hung", it is doubtful that Read reversed the letter twice by mistakehe may have thought it best to leave things as they were, mistake or not, especially as a corrected /ng/ might in hasty or careless writing be confused with his new letter for /n/ in Quikscript.

Two other letters that are often alleged to have been reversedintentionally or notare Air and Err. Both are ligatures, and their relation to other letters is usually taken as evidence for this reversal.[citation needed]

One of the beliefs that leads to such allegations is that Air "" is a ligature of the letters Egg "" and Roar "". Based on their appearance, one would expect the ligature of these letters to be joined at the bottom and free at the top, yet the opposite is true. Another such belief is that Err "" is a ligature of the letters Up "" and Roar "". Based on their appearance, one would expect the ligature of these letters to be joined at the top and free at the bottom, yet once again, the opposite is true.

Some years after the initial publication of the Shaw alphabet, Read expanded it to create Quikscript, also known as the Read Alphabet. Quikscript is intended to be more useful for handwriting, and to that end is more cursive and uses more ligatures. Many letter forms are roughly the same in both alphabets; see the separate article for more details.

Paul Vandenbrink has created a new alphabet inspired by the Shavian alphabet which takes the controversial step of replacing most of the specific vowel letters with markers indicating which of several sets of vowel types a vowel belongs to, thus reducing the number of vowel distinctions and lessening the written differences between dialectal variations of English.[citation needed]

An adaptation of Shavian to another language, Esperanto, was developed by John Wesley Starling; though not widely used, at least one booklet has been published with transliterated sample texts. As that language is already spelled phonemically, direct conversion from Latin to Shavian letters can be performed, though several ligatures are added for the common combinations of vowels with n and s and some common short words.

Pronunciations that differ from their English values are marked in bold red.

Shavian was added to the Unicode Standard in April 2003 with the release of version 4.0.

The Unicode block for Shavian is U+10450U+1047F and is in Plane 1 (the Supplementary Multilingual Plane).

While the Shavian alphabet was added to Unicode 4.0 in 2003, Unicode Shavian fonts are still quite rare. Before it was standardised, fonts were made that include Shavian letters in the places of Roman letters, and/or in an agreed upon location in the Unicode private use area, allocated from the ConScript Unicode Registry and now superseded by the official Unicode standard.

These following fonts contain full Unicode support for Shavian. Windows/Mac/Linux systems need fonts such as these to display the Shavian glyphs.

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Eatyard – Bernard Shaw

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Eatyard is CLOSEDuntil March 8th, but the space is available for bookings. You can find all the latest info about Eatyard HERE

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Our Story

The Eatyard is our hugely popular food market / event space on 9-10 South Richmond St right next door to us here atThe Bernard Shaw.

Now entering its 3rd year ithas grown out of our annual Beatyard & Big Grill festivals, the various flea and car boot sales weve hosted and numrous trips to destinations like Austin, London, South Africa, Asia and Eastern Europe. Eatyards aim is to elevate Irish Street Food to a new level and bring a unique casual dining experience to Dublin.

Were always on the hunt for innovative & creative food producers, chefs, cooks or vendors who follow the ethos of doing something simple really well. Whether you are coming to the market for the first time or bringing your talents from an established kitchen out to the streets, we are interested in hearing from you and what you have to offer. If youd like to get in touch fill out the application form below or if youve any questions hitus up direct

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What’s on – Bernard Shaw

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What's on - Bernard Shaw

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December 28th, 2018 at 2:42 am

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Pygmalion by George Bernard Shaw

Posted: December 4, 2018 at 8:42 am

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Pygmalion was an ancient Greek legend, who was a sculptor and a king. He fell in love with his own ivory statue of his own ideal woman. He prayed. In response to his prayer, the Goddess gave life to the statue and then the king married it.

This much of information was sufficient for me to know why the title of this book was chosen by G.B. Shaw, Pygmalion. I very much liked the character of Mr. Higgins in the play. He is a professor and scientist of phonetics and very confident about his knowl

This much of information was sufficient for me to know why the title of this book was chosen by G.B. Shaw, Pygmalion. I very much liked the character of Mr. Higgins in the play. He is a professor and scientist of phonetics and very confident about his knowledge and acumen.

While reading the book I realized that everyone is like Pygmalion. Everyone likes and adores whatever is created by him or her. Three years old daughter of my neighbor first makes a bridge from the cards and then claps and laughs seeing it, and during this spree when someone breaks it or it is shattered by the wind, she weeps. She perhaps loves her creation. Though momentary, she expresses the feelings of love and pain with a unique sort of fervor to those childish maneuvers and efforts.

I too was probably like Pygmalion when I was a kid, but unlike this small daughter of my neighbor, I did not feel pain when one day my creation was destroyed!

My creation was a cat made up of snow. When one day there occurred, an event of a very heavy snow fall, all houses and trees were covered with the white sheet of snow and remained covered for a few days. I made a sculpture of cat of the snow, just outside the window of my room. It was not an exact replica of a cat, In fact it looked like a small cow, a bit bulky in size and a bit distorted but still it was a cat for me and I had placed a few whiskers of string on its front bulging shape, which according to me was the mouth of my cat, and I inserted two small round glass shooters, a few inches above those whiskers to make them look like eyes of my cat.

My this awkward looking cat remained there just outside the window of my room for two days possibly. There was not at all sunshine for two days. Temperature was below zero and snow did not melt. I kept watching my cat again and again and adored its ludicrous shape during those two days.

Then third day Sun shone with all its brilliance and in the very morning time itself, my cat melted away and disappeared. But I did not feel bad as I knew by that time if snow would be there again, I would recreate my cat again.

However in that season there was no snowfall again. And in the next season, I was one year older and the Pygmalion within me was now matured enough to make other kind of creations !

Actually I am talking all this rubbish because these two events just flashed over my mind when I was reading this play. The character of Prof Higgins was very much like me, when I was a kid . Overconfident and heartless !

I read this book for the first time and this was a wonderful experience. Then I watched the 1938 movie of Leslie Howard as Professor Henry Higgins and Wendy Hiller as Eliza Doolittle and this movie extraordinarily complemented my experience of reading the book.

What a fine movie and wonderful acting by its cast!

The only difference between the play and the movie was its ending. Shaw kept his play realistic but there is a different ending in the movie, there might have been commercial reasons behind this change!

There are 5 acts in this play. The beginning of this play is so sweet. Thunders and then rain.People rushing into the shelters. closing a dripping umbrella in the street. A street flower girl calling the name of a young man and then a mother and daughter asking the street flower girl.

Now tell me how you know that young gentlemans name?

Prof. Higgins, a scientist of phonetics, takes a challenge that he will be able to transform the cockney speaking Covent Garden flower girl, Eliza Doolittle, into a woman as poised and well-spoken as a duchess. He meets his challenge wonderfully.

There are such fools that they think style comes by nature to people in their position; and so they never learn. There is always something professional about doing a thing superlatively well.

Higgins is so obsessed with his work and knowledge that he hardly appreciates anything else, whether they are emotions or other trivial felicities of our surroundings .When Liza feels something for him and he denies her. She feels letdown.

Liza : what did you do it for if you didnt care for me ?

Higgins : Why , because it was my job.

Liza : you never thought of the trouble it would make for me.

Higgins : Would the world ever have been made if its maker had been afraid of making trouble. There is only one way of escaping trouble; and thats killing things. Cowards, you notice, are always shrieking to have trouble some people killed.

Probably many people are already familiar with story and they have seen many movies based on the play, but for me this was first time. Even in my school days I missed this book, so a highly satisfying five star read for me.

This enriched me on many levels. I am quenched!

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Pygmalion by George Bernard Shaw

Written by admin

December 4th, 2018 at 8:42 am

Posted in Bernard Shaw

50 George Bernard Shaw Quotes on Life & Change | Everyday Power

Posted: October 11, 2018 at 12:46 am

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George Bernard Shaw was a playwright who was born on July 26, 1856 in Dublin, Ireland. Under his mothers guidance and regular visits to the National Gallery of Ireland, his exploration of the arts began extremely early in his life.

By 1876, Shaw had decided to become a writer. But he struggled financially so much so, that his mother was essentially supporting him while he spent time working on his first novels in the British Museum reading room. Despite the amount of time he spent writing, they were widely rejected by publishers and became dismal failures.

Because of this, Shaw turned to politics and the activities of the British intelligentsia. He even joined and became actively involved in the Fabian Society a socialist group whose goal was to transform England through a more vibrant political and intellectual base.

Shaw also began writing book reviews, as well as art, music, and theater criticism. He was even brought on to the Sunday Review as its theater critic in 1895. At this point, he finally found his creative writing calling: writing plays.

His most famous play, Pygmalion was even adapted to the big screen and for Broadway, eventually earning him an Academy Award. By then, George Bernard Shaw has already established himself as a literary giant.

Whether you need something clever, or a truthful reminder in the form of a humorous statement, let these George Bernard Shaw quotes pick you up.

1.) If you cannot get rid of the family skeleton, you may as well make it dance. George Bernard Shaw

2.) You use a glass mirror to see your face; you use works of art to see your soul. George Bernard Shaw

3.) [The] power of accurate observationis commonly called cynicism by those who have not got it. George Bernard Shaw

4.) The unconscious self is the real genius. Your breathing goes wrong the moment your conscious self meddles with it. George Bernard Shaw

5.) There are no secrets better kept than the secrets everybody guesses. George Bernard Shaw

6.) We learn from experience that men never learn anything from experience. George Bernard Shaw

7.) Do not do unto others as you would that they should do unto you. Their tastes may not be the same. George Bernard Shaw

8.) He knows nothing; and he thinks he knows everything. That points clearly to a political career. George Bernard Shaw

9.) The liars punishment is, not in the least that he is not believed, but that he cannot believe anyone else. George Bernard Shaw

10.) My way of joking is to tell the truth. Its the funniest joke in the world. George Bernard Shaw

11.) As long as I have a want, I have a reason for living. Satisfaction is death. George Bernard Shaw

12.) The first prison I ever saw had inscribed on it cease to do evil: learn to do well; but as the inscription was on the outside, the prisoners could not read it. George Bernard Shaw

13.) Those who cannot change their minds cannot change anything. George Bernard Shaw

14.) A days work is a days work, neither more nor less, and the man who does it needs a days sustenance, a nights repose and due leisure, whether he be painter or ploughman. George Bernard Shaw

15.) A fashion is nothing but an induced epidemic. George Bernard Shaw

16.) A fools brain digests philosophy into folly, science into superstition, and art into pedantry. Hence University education. George Bernard Shaw

17.) A life spent making mistakes is not only more honorable, but more useful than a life spent doing nothing. George Bernard Shaw

18.) A lifetime of happiness! No man alive could bear it; it would be hell on earth. George Bernard Shaw

19.) Americans adore me and will go on adoring me until I say something nice about them. George Bernard Shaw

20.) An American has no sense of privacy. He does not know what it means. There is no such thing in the country. George Bernard Shaw

21.) Criminals do not die by the hands of the law. They die by the hands of other men. George Bernard Shaw

22.) Democracy is a device that ensures we shall be governed no better than we deserve. George Bernard Shaw

23.) England and America are two countries separated by a common language. George Bernard Shaw

24.) Everything happens to everybody sooner or later if there is time enough. George Bernard Shaw

25.) Few people think more than two or three times a year; I have made an international reputation for myself by thinking once or twice a week. George Bernard Shaw

26.) Gambling promises the poor what property performs for the rich something for nothing. George Bernard Shaw

27.) Hegel was right when he said that we learn from history that man can never learn anything from history. George Bernard Shaw

28.) Hell is full of musical amateurs. George Bernard Shaw

29.) I often quote myself. It adds spice to my conversation. George Bernard Shaw

30.) If all economists were laid end to end, they would not reach a conclusion. George Bernard Shaw

31.) If history repeats itself, and the unexpected always happens, how incapable must Man be of learning from experience. George Bernard Shaw

32.) If the lesser mind could measure the greater as a foot rule can measure a pyramid, there would be finality in universal suffrage. As it is, the political problem remains unsolved. George Bernard Shaw

33.) There is no love sincerer than the love of food. George Bernard Shaw

34.) When a man of normal habits is ill, everyone hastens to assure him that he is going to recover. When a vegetarian is ill (which fortunately very seldom happens), everyone assures him that he is going to die, and that they told him so, and that it serves him right. They implore him to take at least a little gravy, so as to give himself a chance of lasting out the night. George Bernard Shaw

35.) A mind of the calibre of mine cannot derive its nutriment from cows. George Bernard Shaw

36.) Better see rightly on a pound a week than squint on a million. George Bernard Shaw

37.) Cruelty would be delicious if one could only find some sort of cruelty that didnt really hurt. George Bernard Shaw

38.) The censorship methodis that of handing the job over to some frail and erring mortal man, and making him omnipotent on the assumption that his official status will make him infallible and omniscient. George Bernard Shaw

39.) Reminiscences make one feel so deliciously aged and sad. George Bernard Shaw

40.) There are two tragedies in life. One is not to get your hearts desire. The other is to get it. George Bernard Shaw

41.) All great truths begin as blasphemies. George Bernard Shaw

42.) The reasonable man adapts himself to the world: the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man. George Bernard Shaw

43.) Revolutions have never lightened the burden of tyranny. They have only shifted it to another shoulder. George Bernard Shaw

44.) When a stupid man is doing something he is ashamed of, he always declares that it is his duty. George Bernard Shaw

45.) We have no more right to consume happiness without producing it than to consume wealth without producing it. George Bernard Shaw

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50 George Bernard Shaw Quotes on Life & Change | Everyday Power

Written by admin

October 11th, 2018 at 12:46 am

Posted in Bernard Shaw

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