Japan art and Goshun: Flow of Buddhism, China, Confucianism, and Kansai – Modern Tokyo Times

Posted: March 28, 2022 at 1:50 am


without comments

Japan art andGoshun: Flow of Buddhism, China, Confucianism, and Kansai

Lee Jay Walker

Modern Tokyo Times

Matsumura Goshun (1752-1811) was a Japanese artist. He belongs to the Edo Period and within a class that adored the rich cultural traits of the Middle Kingdom (China). Hence, from a very early age, the path of Goshun was planned by his wealthy family.

The region of Kansai also enriched the soul of Goshun. This concerns the amazing cultural and religious traits of Kyoto, Koyasan, Nara (the cradle of high culture in Japan), and other esteemed places.

One can easily imagine the early life of Goshun concerning classical history, calligraphy, literature, painting, poetry, and other areas related to the rich cultural traits of his native country and the Middle Kingdom. Equally important, the ties of religion and philosophy emanating from the plethora of Buddhist temples where he lived to the indigenous connection of Shinto and the natural world.

The Met Museum says, Goshun is one of the most important painters of late eighteenth-early nineteenth-century Japan. He is renowned as the founder of the Shij school, itself generally allied with the Maruyama school established by the realist painter Maruyama kyo (17331795). Goshun began his career as an artist when he left his prestigious job as an official at the government mint to study painting; the artists who influenced his development included his teacher Yosa Buson (17161783), one of the great masters of the Nanga school, and kyo, whose studio he joined in 1787.

Goshun first seriously studied painting in the rich cultural settings of Kyoto. His teacher, Onishi Suigetsu, provided a firm foundation for Goshun. In time, he would study the world of poetry and painting under the esteemed Yosa Buson.

The early 1780s were a time of deep anxiety and pain for Goshun. This concerns the death of his wife, his father, and Buson also departed from this world. However, from this tremendous adversity, Goshun would re-emerge and start on a new artistic path.

https://www.metmuseum.org/art/collection/search/816216

Modern Tokyo News is part of the Modern Tokyo Times group

DONATIONS to SUPPORT MODERN TOKYO TIMES please pay PayPal and DONATE tosawakoart@gmail.com

http://moderntokyotimes.comModern Tokyo Times International News and Japan News

http://sawakoart.com Sawako Utsumi personal website and Modern Tokyo Times artist

https://moderntokyonews.comModern Tokyo News Tokyo News and International News

http://global-security-news.comGlobal Security News Geopolitics and Terrorism

PLEASE JOIN ON TWITTER

https://twitter.com/MTT_NewsModern Tokyo Times

PLEASE JOIN ON FACEBOOK

https://www.facebook.com/moderntokyotimes

Here is the original post:

Japan art and Goshun: Flow of Buddhism, China, Confucianism, and Kansai - Modern Tokyo Times

Related Posts

Written by admin |

March 28th, 2022 at 1:50 am

Posted in Buddhism




matomo tracker