This extensive analysis sheds light on an array of intangible aspects connected with the business such as important definitions, end use and total revenue garnered across different regions. The researcher has taken a conscious effort to get a closer look at some of the top performers of the Heat Sinks industry. Other essential aspects evaluated during research include import and export, demand and supply, distribution channel, gross margin and supply chain management. To add more credibility to the research the study examines the winning strategies adopted by the prominent vendors to maintain competitive edge worldwide. Vital statistics on the business performance is projected using self-explanatory resources charts, tables and graphic images

This study relies on the evolution of the industry to derive the trends that are observed. A significant increase in the global market is visible, which promises the expansion of the market in the coming years.

The report focuses on the emerging sectors of the industry and their potential impact on the growth of the market in the forecasted duration. It highlights the concentration of the consumer bases of key companies geographically and the contribution of these companies to the regional economy. The study gives a historical analysis to draw the prospective growth of the market size, share, trends, overall earnings, gross revenue, and net value. It provides a detailed outlook of the market along with expert insights to assist the readers in their investments.

Click To get FREE SAMPLE PDF (Including Full TOC, Table & Figures) @https://www.marketexpertz.com/sample-enquiry-form/51206

The major manufacturers covered in this report:

AlphaMolexTE ConnectivityDeltaMecc.AlOhmiteAavid ThermalloySunonAdvanced Thermal SolutionsDAUApex MicrotechnologyRadianCUI

Create an everlasting reputation:The report on global Heat Sinks market is intended to offer business owners, stakeholders and field marketing executives a broad overview of the business they should be focussing on for the estimated period. The research further holds vital information on the size of market and data on the prominent leaders product owners have to compete with, in the coming years. Assessments of the broad strengths, as well as weaknesses too, add value to the overall research. Products details not only cover the popular applications and its performance, but it also unveils certain trends and value of specific products within specific regions.

Vital statistics associated with the sudden shift in the customer preference, production capability; region-wise sale, profit and total revenue are showcased through detailed charts, tables and graphic images.

Most important Products of Heat Sinks study covered in this report are:

Aluminum Heat SinkCopper Heat SinkCopper Aluminum Heat Sink

Most important Application of Heat Sinks study covered in this report are:

Automobile IndustryElectronic IndustryOthers

!!! Limited Time DISCOUNT Available!!! Get Your Copy at Discounted [emailprotected]https://www.marketexpertz.com/discount-enquiry-form/51206

The industry experts have left no stone unturned to identify the major factors influencing the development rate of the Heat Sinks industry including various opportunities and gaps. A thorough analysis of the micro markets with regards to the growth trends in each category makes the overall study interesting. When studying the micro markets the researchers also dig deep into their future prospect and contribution to the Heat Sinks industry.

The market intelligence report combines the best of both bottom-up as well as top-down techniques to verify and predict the growth of the Heat Sinks industry worldwide. While assessing the global size of the industry, researchers also examine the dependent submarkets.

The research comprises of an extensive application of qualitative and quantitative methods to identify the impact of technological developments in the field and options available in the Heat Sinks business.

Key Coverage of the Report

Region and country-wise assessment from the period 2016-2026. For the study, 2016-2017 has been utilized as historical data, 2018 as the base year, and 2019-2026, has been derived as forecasts for the Heat Sinks market.

Regional Competitors pipeline analysis.

Demand and Supply GAP Analysis.

Market share analysis of the key industry players.

Strategic recommendations for the new entrants.

Market forecasts for a minimum of 6 years of all the mentioned segments, and the regional markets.

Industry Trends (Drivers, Constraints, Opportunities, Threats, Challenges, and recommendations).

Strategic recommendations in key business segments based on the market estimations.

Competitive landscaping mapping the key common trends.

Company profiling with detailed strategies, financials, and recent developments.

Browse Full Report [emailprotected]https://www.marketexpertz.com/industry-overview/global-heat-sinks-market

Get to know the business better:The global Heat Sinks market research is carried out at the different stages of the business lifecycle from the production of a product, cost, launch, application, consumption volume and sale. The research offers valuable insights into the marketplace from the beginning including some sound business plans chalked out by prominent market leaders to establish a strong foothold and expand their products into one thats better than others.

Why Choose Market Expertz?

Have Any Query? Ask Our Expert @https://www.marketexpertz.com/customization-form/51206

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Heat Sinks Market share forecast to witness considerable growth from 2019 to 2026 - Chronicle Voice

This extensive analysis sheds light on an array of intangible aspects connected with the business such as important definitions, end use and total revenue garnered across different regions. The researcher has taken a conscious effort to get a closer look at some of the top performers of the Wedge Wire Screen industry. Other essential aspects evaluated during research include import and export, demand and supply, distribution channel, gross margin and supply chain management. To add more credibility to the research the study examines the winning strategies adopted by the prominent vendors to maintain competitive edge worldwide. Vital statistics on the business performance is projected using self-explanatory resources charts, tables and graphic images

This study relies on the evolution of the industry to derive the trends that are observed. A significant increase in the global market is visible, which promises the expansion of the market in the coming years.

The report focuses on the emerging sectors of the industry and their potential impact on the growth of the market in the forecasted duration. It highlights the concentration of the consumer bases of key companies geographically and the contribution of these companies to the regional economy. The study gives a historical analysis to draw the prospective growth of the market size, share, trends, overall earnings, gross revenue, and net value. It provides a detailed outlook of the market along with expert insights to assist the readers in their investments.

Click To get FREE SAMPLE PDF (Including Full TOC, Table & Figures) @https://www.marketexpertz.com/sample-enquiry-form/16679

The major manufacturers covered in this report:

Aqseptence GroupCostacurta S.p.A.Gap TechnologyProgress EcoWedge TechHEIN, LEHMANNMultotecTrislot NVTOYO SCREEN KOGYO COOptima InternationalSteinhaus GmbHHendrick Screen CompanyAMACSOthers

Create an everlasting reputation:The report on global Wedge Wire Screen market is intended to offer business owners, stakeholders and field marketing executives a broad overview of the business they should be focussing on for the estimated period. The research further holds vital information on the size of market and data on the prominent leaders product owners have to compete with, in the coming years. Assessments of the broad strengths, as well as weaknesses too, add value to the overall research. Products details not only cover the popular applications and its performance, but it also unveils certain trends and value of specific products within specific regions.

Vital statistics associated with the sudden shift in the customer preference, production capability; region-wise sale, profit and total revenue are showcased through detailed charts, tables and graphic images.

Most important Products of Wedge Wire Screen study covered in this report are:

FlatCylindersBasketsSieve Bend Screen

Most important Application of Wedge Wire Screen study covered in this report are:

Water TreatmentFood and BeveragePulp and PaperMining and MineralChemical and PetrochemicalOthers

!!! Limited Time DISCOUNT Available!!! Get Your Copy at Discounted [emailprotected]https://www.marketexpertz.com/discount-enquiry-form/16679

The industry experts have left no stone unturned to identify the major factors influencing the development rate of the Wedge Wire Screen industry including various opportunities and gaps. A thorough analysis of the micro markets with regards to the growth trends in each category makes the overall study interesting. When studying the micro markets the researchers also dig deep into their future prospect and contribution to the Wedge Wire Screen industry.

The market intelligence report combines the best of both bottom-up as well as top-down techniques to verify and predict the growth of the Wedge Wire Screen industry worldwide. While assessing the global size of the industry, researchers also examine the dependent submarkets.

The research comprises of an extensive application of qualitative and quantitative methods to identify the impact of technological developments in the field and options available in the Wedge Wire Screen business.

Key Coverage of the Report

Region and country-wise assessment from the period 2016-2026. For the study, 2016-2017 has been utilized as historical data, 2018 as the base year, and 2019-2026, has been derived as forecasts for the Wedge Wire Screen market.

Regional Competitors pipeline analysis.

Demand and Supply GAP Analysis.

Market share analysis of the key industry players.

Strategic recommendations for the new entrants.

Market forecasts for a minimum of 6 years of all the mentioned segments, and the regional markets.

Industry Trends (Drivers, Constraints, Opportunities, Threats, Challenges, and recommendations).

Strategic recommendations in key business segments based on the market estimations.

Competitive landscaping mapping the key common trends.

Company profiling with detailed strategies, financials, and recent developments.

Browse Full Report [emailprotected]https://www.marketexpertz.com/industry-overview/wedge-wire-screen-market

Get to know the business better:The global Wedge Wire Screen market research is carried out at the different stages of the business lifecycle from the production of a product, cost, launch, application, consumption volume and sale. The research offers valuable insights into the marketplace from the beginning including some sound business plans chalked out by prominent market leaders to establish a strong foothold and expand their products into one thats better than others.

Why Choose Market Expertz?

Have Any Query? Ask Our Expert @https://www.marketexpertz.com/customization-form/16679

See the original post:
Wedge Wire Screen Market Size, Emerging Technologies, Future Trends, Competitive Analysis and Segments Poised for Strong Growth in Future |...

In Episode 30 of the Disruptors for Good podcast, I speak withAmy Smith, Chief Giving Officer atTOMS, on innovation in impact and giving and the future of TOMS philanthropy.

Amy Smith joined TOMS in 2016 as Chief Giving Officer to oversee all aspects of TOMS Giving. This entails managing 70+ global giving partners, measuring giving program impact, experiential engagement with internal and external partners, and leading employee Giving Trips to the regions where TOMS gives.

TOMS provides shoes, sight, and water as part of their Giving Partners overall health and education programs to help drive meaningful impact and engage the community. Amy also manages the impact grants program, in which TOMS contributes to non-profits that are working on todays most pressing issues, including homelessness and ending gun violence.

Amy was previously the Chief Strategy Officer and President of Action Networks forPoints of Light, the worlds largest organization dedicated to volunteer service. Prior to joining Points of Light, Amy held several management positions atApplehelping to lead their retail initiative including international real estate development, store design, construction execution and store operations. Amy earned a bachelors degree in Materials and Logistics Management from Michigan State University.

This episode was recorded at TOMS headquarters in Los Angeles, CA. I was fortunate enough to attend theConscious Capitalism LA(CCLA) fireside chat with Amy Smith, Chief Giving Officer at TOMS. The night was hosted by Conscious Capitalism LA andB Local Los Angeles, the affiliation of Los Angeles B Corporations.

This episode will have a couple of parts. The first part you will hear the full discussion between between CCLA Board Member, Steve Phillips, and Amy Smith, Chief Giving Officer of TOMS as they discuss:

The second part of this episode I sit down with Amy one on one after the event for a brief interview.

Podcast cover designMade with Canva

PodcastMade with Transistor

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Founder of Causeartist + Social Entrepreneur + Partner at Charity Charge + Journey of the Soul: Album on Apple Music, Spotify, Pandora, and Tidal all sales and streaming royalties go to support impact projects around the world.

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TOMS Moves Beyond its Iconic One for One Model to Further Giving and Innovate Impact - Causeartist

This extensive analysis sheds light on an array of intangible aspects connected with the business such as important definitions, end use and total revenue garnered across different regions. The researcher has taken a conscious effort to get a closer look at some of the top performers of the Freezing Drying Equipment industry. Other essential aspects evaluated during research include import and export, demand and supply, distribution channel, gross margin and supply chain management. To add more credibility to the research the study examines the winning strategies adopted by the prominent vendors to maintain competitive edge worldwide. Vital statistics on the business performance is projected using self-explanatory resources charts, tables and graphic images

This study relies on the evolution of the industry to derive the trends that are observed. A significant increase in the global market is visible, which promises the expansion of the market in the coming years.

The report focuses on the emerging sectors of the industry and their potential impact on the growth of the market in the forecasted duration. It highlights the concentration of the consumer bases of key companies geographically and the contribution of these companies to the regional economy. The study gives a historical analysis to draw the prospective growth of the market size, share, trends, overall earnings, gross revenue, and net value. It provides a detailed outlook of the market along with expert insights to assist the readers in their investments.

Click To get FREE SAMPLE PDF (Including Full TOC, Table & Figures) @https://www.marketexpertz.com/sample-enquiry-form/51127

The major manufacturers covered in this report:

SP IndustriesAzbil TelstarGEAIMALabconcoThermo Fisher ScientificPDFDTofflonHOF Enterprise GroupMechaTech SystemsMillrock TechnologyOptima Packaging GroupMartin ChristFreezedry SpecialtiesKYOWAC

Create an everlasting reputation:The report on global Freezing Drying Equipment market is intended to offer business owners, stakeholders and field marketing executives a broad overview of the business they should be focussing on for the estimated period. The research further holds vital information on the size of market and data on the prominent leaders product owners have to compete with, in the coming years. Assessments of the broad strengths, as well as weaknesses too, add value to the overall research. Products details not only cover the popular applications and its performance, but it also unveils certain trends and value of specific products within specific regions.

Vital statistics associated with the sudden shift in the customer preference, production capability; region-wise sale, profit and total revenue are showcased through detailed charts, tables and graphic images.

Most important Products of Freezing Drying Equipment study covered in this report are:

Industrial-scale Freeze DryersPilot-scale Freeze DryersLab-scale Freeze Dryers

Most important Application of Freezing Drying Equipment study covered in this report are:

Biotechnology & Environmental ApplicationsPharmaceuticalsFood Processing IndustryOthers

!!! Limited Time DISCOUNT Available!!! Get Your Copy at Discounted [emailprotected]https://www.marketexpertz.com/discount-enquiry-form/51127

The industry experts have left no stone unturned to identify the major factors influencing the development rate of the Freezing Drying Equipment industry including various opportunities and gaps. A thorough analysis of the micro markets with regards to the growth trends in each category makes the overall study interesting. When studying the micro markets the researchers also dig deep into their future prospect and contribution to the Freezing Drying Equipment industry.

The market intelligence report combines the best of both bottom-up as well as top-down techniques to verify and predict the growth of the Freezing Drying Equipment industry worldwide. While assessing the global size of the industry, researchers also examine the dependent submarkets.

The research comprises of an extensive application of qualitative and quantitative methods to identify the impact of technological developments in the field and options available in the Freezing Drying Equipment business.

Key Coverage of the Report

Region and country-wise assessment from the period 2016-2026. For the study, 2016-2017 has been utilized as historical data, 2018 as the base year, and 2019-2026, has been derived as forecasts for the Freezing Drying Equipment market.

Regional Competitors pipeline analysis.

Demand and Supply GAP Analysis.

Market share analysis of the key industry players.

Strategic recommendations for the new entrants.

Market forecasts for a minimum of 6 years of all the mentioned segments, and the regional markets.

Industry Trends (Drivers, Constraints, Opportunities, Threats, Challenges, and recommendations).

Strategic recommendations in key business segments based on the market estimations.

Competitive landscaping mapping the key common trends.

Company profiling with detailed strategies, financials, and recent developments.

Browse Full Report [emailprotected]https://www.marketexpertz.com/industry-overview/global-freezing-drying-equipment-market

Get to know the business better:The global Freezing Drying Equipment market research is carried out at the different stages of the business lifecycle from the production of a product, cost, launch, application, consumption volume and sale. The research offers valuable insights into the marketplace from the beginning including some sound business plans chalked out by prominent market leaders to establish a strong foothold and expand their products into one thats better than others.

Why Choose Market Expertz?

Have Any Query? Ask Our Expert @https://www.marketexpertz.com/customization-form/51127

See the article here:
Freezing Drying Equipment Market 2019 | Analyzing the Impact Followed by Restraints, Opportunities and Projected Developments | Market Expertz -...

Living with the Land

At Eaglebrook School in Deerfield, Berkshire Design Group employed geothermal and solar power and repurposed stormwater as a site amenity.

Sometimes design decisions bring unexpected benefits, Rachel Loeffler says.

Take a project her firm, Berkshire Design Group, designed for East Meadow School in Granby.

Cost was a big factor, so we looked at using a meadow feed mix instead of traditional bluegrass, which saves the school 100 gallons of gasoline in mowing, as well as the labor, said Loeffler, a principal and landscape architect with the firm.

But then, what happened was, some birds moved in almost instantly, including some orioles.

Orioles, by the way, are among the hundreds of bird species most at risk from climate change and destruction of meadow lands due to development, so creating a healthy habitat for them is significant, she said. Sometimes, delightful surprises happen.

When Northampton-based Berkshire Design Group, one of the regions leading firms in the realm of sustainable design, opened its doors in 1984, its founders might have been equally surprised to see how common green ideas would become a few decades later.

Back then, we were experimenting with stormwater standards, alternatives that then became state standards, Loeffler said. That creative approach is something that was part of us from the beginning.

C&H Architects, headquartered in Amherst, can track a similar trajectory, emphasizing green and sustainable architecture since its launch in 1989.

Nobody was trying to do that 30 years ago it wasnt even part of the lexicon, said Thomas Hartman, partner and principal architect. Over the years, its really been interesting to see how what might have been an odd-duck type of client become the norm.

In those early years, he said, forward-thinking clients would seek out C&H specifically for this expertise, while today, green design isnt surprising at all. Its gone from the occasional project to where, if this isnt part of the conversation, youre not really practicing in the mainstream anymore.

In fact, he noted, the American Institute of Architects (AIA) has basically shifted its organizational philosophy to suggest that, if a project isnt environmentally conscious, if its not sustainable, then its just not good design.

Climate change requires a holistic approach, addressing the interdependencies among people, buildings, infrastructure, and the environment, AIA President William Bates said recently. Our training allows us to look for solutions and ways to mitigate climate change comprehensively and creatively, which we do every day.

At their most basic level, Hartman explained, buildings protect individuals from the elements and provide texture to peoples lives. Buildings, however, are also one of the largest contributors to global warming, accounting for nearly 40% of all greenhouse-gas emissions worldwide a statistic expected to double by 2050. In an effort to mitigate these impacts, there has been a steady increase in sustainable architecture the design of buildings that work in harmony with the environment.

Installing a meadow instead of grass at East Meadow School in Granby reduces gasoline use and provides a habitat for endangered birds.

C&H Architects has been at the forefront of this effort for three decades. For example, it designed the fifth-ever certified Living Building Challenge project in the world (and the first in New England) for Smith Colleges MacLeish Field Station, the most rigorous performance standard for buildings available.

Its the most difficult standard net-zero water, net-zero energy, avoiding certain materials and chemicals, he said, noting that net zero means producing as much of that resource as one takes from the environment.

The firm has followed similar standards with other commercial and academic projects, and has designed more than 10 homes that boast net-zero energy, the most recent of which won the top honor at AIA Rhode Island in 2018, and includes a solar array that powers both the house and the car of its occupants.

Thats an especially cutting-edge standard, Hartman said, but it may become mainstream as well in the coming years, just as many sustainable practices in building and landscape design have become the norm, not the exception.

Loeffler said there are two ways to craft a sustainable philosophy for a project. One is to simply create a checklist of energy-saving or environmentally conscious features.

The other way of thinking actually takes cues from ecological thinking and the way all organisms are interrelated. On the simplest level, she cited the example of humans and trees plants give off oxygen, while we breathe it in and give off carbon dioxide.

Theres an understanding that each entity has a need for resources to consume, and has a waste product, she said. What sustainable thinking allows us to do is look at a project and look at ways to tie resources and waste together in a project or adjacent use somewhere else.

Tom Hartman takes meter readings at a mill renovation in Lawrence part of his goal to make sure energy-saving projects are performing as they are designed to.

One example is a dog park she recently worked on, during which time she approached a company that specializes in taking dog waste and turning it into energy. Farms are taking waste from grocery stores, and any sort of organic waste products, and generating electricity. These are waste products that are being taken out of the waste stream instead of being shifted to a landfill somewhere.

Hartman said architects, including those at his firm, are also starting to think about reductions in embodied carbon, which are the emissions associated with building construction, including extracting, transporting, and manufacturing materials.

What that means is that well be making low-carbon buildings, so were not adding to the carbon issue, he said, adding quickly that this, like all new initiatives, comes with a learning curve. In the evolution of our practice over 30 years, as soon as we get competent in one thing, were going to the next thing.

Clients in the education sector have been particularly receptive to innovative ideas around sustainability, he noted, but those projects often come with time barriers.

When youre doing academic work, doing renovations on an existing building, theyre occupied, so you may have just a couple of weeks to do your job and have a limited budget, so how do you address environmental design and sustainable design on these types of projects? he asked. It comes down to the materials youre choosing and what opportunities are available. For example, if youre renovating a dormitory, you may only have 12 weeks, so you probably wont renovate the exterior envelope of the building.

Nobody was trying to do that 30 years ago it wasnt even part of the lexicon. Over the years, its really been interesting to see how what might have been an odd-duck type of client become the norm.

But all projects must consider their long-term impact on users, said Leon Drachmann, a principal at Payette Associates in Boston, who recently talked about sustainability on the U.S. Green Building Council website.

The green-building initiative will have a deeper impact by expanding its scope by shifting its focus to areas outside of building design, such as real-estate economics, zoning regulations and land use, while concentrating on the human experience and societal well-being, he noted, adding that sustainability should be considered not as an independent, separate process, but as an integral part of design itself.

One impact that can never be overlooked is the financial one, Hartman said. After all, while clients want to do the right thing, theyre still focused on the bottom line.

Ive never met a client where, if we could provide the economic case for doing good in sustainable design, they wouldnt do it, he told BusinessWest. Its rarer to find a client who will do the feel-good of sustainable design if it doesnt pass the economic test.

So part of his service to clients is actually visiting the site after completion, monitoring elements like energy use, waste production, and the overall costs to make sure the promised efficiencies have come to fruition.

It has been really important for us to do that, he said. Most of the time, we want to maintain a relationship with the client in the future anyway. We will ask for energy bills. Weve never met a client who doesnt want us to follow up. Thats probably the most important thing for the profession to make sure it all works, and if it doesnt work, figure out why. Otherwise, youre just waving your arms.

Loeffler noted that clients that have a long-term vision are much easier to convince of the benefits of green design.

If an organizations economic-benefit analysis focuses on a one-year plan, theyre going to make a decision based on that and theres certainly nothing wrong with that, she said. But if their vision centers around a 20- or 50-year plan, they might be inclined to make different decisions.

In a homeowners situation, with solar panels, there are upfront costs in that initial year. Over a certain amount of time, youll recoup those costs, but if youre only looking at one year, youre not going to budget for solar panels. If youre looking at the long term, the cost makes more sense.

The tipping point for much sustainable design and technology will come when those costs approach those of traditional methods across the board and many in the industry say those days are getting closer. When green materials become cheaper to acquire than previous materials, we project there will be a huge increase in the desire for this type of technology, Loeffler said.

Until then, we try not to push the issue too hard. We engage every client in the discussion, but they have different comfort levels. At the end of the day, were there to meet their needs and goals, and we work with them.

Hartman is happy he works in a state which saw the value of renewable-energy credits and green standards well before most other states did.

Massachusetts has been progressive, and they did those things so we wouldnt be so reliant on fossil fuels from other countries, he said. Its really exciting nowadays.

Joseph Bednar can be reached at [emailprotected]

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Sustainable Design Moves Further into the Mainstream - Business West

On the opening morning of the Battle of Vimy Ridge, Capt. Thain MacDowell ran towards enemy lines through a welter of mud and craters, sleet and machine gunfire.

He reached his objective, a German trench, only to find that he had become separated from most of his company. Joined by a pair of army couriers, MacDowell captured two machine gun placements, then climbed down a flight of steps into a deep dugout.

Around a sharp corner, he confronted a roomful of German soldiers. He turned and shouted to an imaginary group of Canadians behind him to hold their grenades. Seventy-seven Germans surrendered.

He sent the prisoners up the stairs in groups of 12 to conceal the fact they were surrendering to just three Canadian soldiers.

They had plenty of rations but we had a great time taking them prisoner, MacDowell wrote in a dispatch later that day, April 9, 1917.

His act of courage and deception would earn him the British Empires highest decoration for military valour. One of four Canadians awarded the Victoria Cross at Vimy Ridge, MacDowell was the only one still alive six months later when he returned home to Brockville on sick leave.

MacDowell was not sick in the conventional sense: He was suffering from what military doctors called war neurasthenia, or shellshock. His symptoms included depression, insomnia, headaches, irritability, fever, perspiration, difficulty concentrating and decreased energy. He also had a slight speech impediment.

MacDowell was one of 10,000 Canadian soldiers diagnosed with shellshock during the First World War.

The condition baffled doctors and challenged military leaders, who didnt know how to deal with the flood of traumatized soldiers that accompanied every major battle.

Some attributed the phenomenon to emotional weakness or malingering. More than 300 British and Commonwealth soldiers were executed for cowardice or desertion during the war, including 23 Canadians.

An unknown number of them suffered from what today we would call post-traumatic stress disorder (PTSD).

War has inflicted trauma on successive generations of Canadian soldiers whose psychiatric injuries have been variously labelled shellshock, battle exhaustion, combat stress reaction and PTSD. The evolution of that diagnosis has traced a century of conflict: It is a story of service and science and suffering.

First World War Victoria Cross winner Lt.-Col. Thain MacDowell.SunMediaArchive

Capt. Thain MacDowell

In February 1915, British psychologist Dr. Charles Myers was the first to identify the phenomenon of shellshock. In the medical journal The Lancet, Myers recounted the case histories of three soldiers traumatized by shell explosions. Curiously, he said, the soldiers hearing was little affected, while other functions such as sight, smell, taste and memory were damaged.

The close relation of these cases to those of hysteria appears fairly certain, he concluded.

Hysteria was a mental disorder, attributed mostly to women at the time, which typically featured nervousness, fainting or fits. Shellshocked soldiers could be rendered mute or left with partially paralyzed limbs.

Some doctors theorized that shellshock was the result of a physical brain injury caused by soldiers repeated exposure to blast waves from exploding shells a new part of industrialized warfare. Others pointed to afflicted soldiers who had never been in an explosion to argue that the condition was due to a weakness of the nervous system, neurasthenia, triggered by the general stress of war.

The worlds first personality test was developed in an attempt to identify recruits with the emotional instability that could put them at risk for shellshock.

Treatments were mostly experimental, and sometimes, horrifying.

In December 1916, Myers spearheaded the establishment of specialized medical units near the frontlines to assess and treat traumatized soldiers using Freudian talk therapy. Theorizing that shellshock was a stress disorder, he believed a patient had to relive his experience to reintegrate the traumatic event with his conscious mind.

A Canadian psychiatrist, Dr. Lewis Yealland, was the leading proponent of an altogether different school of thought: that shellshock was a kind of personal failure.

Yealland, a clinician at Londons National Hospital for the Paralyzed and Epileptic, was convinced he could recondition traumatized soldiers through the power of suggestion. He regularly accompanied those suggestions with powerful electric shocks, and sometimes, cigarette burns. He used electrotherapy on 196 patients during the war, and published his results in a disturbing 1918 book, Hysterical Disorders of Warfare.

No one, including Yealland, could suggest that war hero Thain MacDowell lacked battlefield courage or personal fortitude.

Awarded the Victoria Cross in June 1917, MacDowell was hospitalized in England and sent home to Canada in October. He spent three months at Brockville General Hospital where, according to his medical history, he suffered a nervous breakdown.

In January 1918, after a period of rest, he was deemed fit for service again: Officer shows much improvement since last examination has regained his emotional control. No attacks of crying since Nov. 17.

MacDowell returned to England in February 1918, and spent the year in officer training as the First World War raced towards its bloody conclusion. He returned to Canada in December, one month after the armistice, and again sought help.

A medical history taken at the time says: Officer states that he tires easily and cannot sleep. Has not slept well since Nov. 1916. He may sleep 3 to 4 hours a night if there has been no excitement.

(In November 1916, MacDowell was thrown into the air by a shell blast at the Somme; he earned the Distinguished Service Order for his role in capturing three machine gun posts during the same battle.)

In January 1919, MacDowell was made commanding officer of a demobilization unit in Ottawa, where he was also an outpatient at the Sir Sandford Fleming Convalescent Home. He could only manage the work for a few months. By August 1919, he was an in-patient at Montreals Ste. Anne de Bellevue Hospital, complaining of depression, insomnia, restlessness and irritability.

He tires very easily and in all work loses interest, reads his medical case history.

In Montreal, he was prescribed massage and hydrotherapy, a popular method for treating mental illness in the early 20th century. Warm, continuous baths were used to treat agitated patients; they were often bathed in a darkened room for hours, sometimes days, at a time.

In October 1919, after MacDowell was deemed medically unfit for service and discharged, he returned to Ottawa, where he slowly recovered his mental health. His military file does not disclose what treatment he received.

For five years, he worked as private secretary to the minister of defence, and in 1929, married Norah Hodgson, of Montreal. They had two sons. He later entered the mining business as an investor and executive.

MacDowell died of a heart attack in March 1960. He was 69.

Ted Patrick was a signalman (radio operator) in the Irish Regiment of Canada.Wayne Cuddington / Ottawa Citizen

Signalman William Ted Patrick

In the Second World War, signalmen maintained communication links between frontline officers and headquarter staff who managed the battlefield.

Enemy forces regularly used signalmen they carried radios on their backs to aim their artillery since they knew officers would be nearby. It made Signalmen William Ted Patrick a target in 1944 as he fought his way north through Italy with the Irish Regiment of Canada. He suffered perforated eardrums from shells exploding so close to him.

Patricks Italian campaign had other harrowing moments. In the Moro River Valley, he saw a heavily pregnant woman ripped open by a landmine. During another advance, he had to cover the lighted dials of his radio as German soldiers walked past him into an ambush.

He did not seek help for the profound anxiety he suffered.

Infantry soldiers like Patrick were the primary victims of battle exhaustion in the Second World War. Research by Canadian military historian Terry Copp, a professor at Wilfrid Laurier University, found that 90 per cent of Canadas battle exhaustion cases came from ground troops.

In part, that was a reflection of the Royal Canadian Air Forces uncompromising attitude towards aircrew members who developed psychiatric problems and refused to fly. Such airmen were branded as lacking in moral fibre or LMF; they were often demoted or dishonourably discharged.

The Canadian army took a more pragmatic view. Its senior psychiatrist, Col. Frederick Van Nostrand, wanted battle exhausted soldiers treated quickly while close to the frontlines so they could be promptly returned to action.

It meant that as Canadian forces fought through Normandy, hundreds of soldiers were treated each week at field dressing stations for acute battle stress. Typically, they were sedated for 24 hours, given two days of rest, and counselled by a therapist. Many were returned to action only to suffer another breakdown.

Battle exhaustion cases represented one-quarter of all wounded soldiers among Allied forces.Those numbers caught military planners by surprise in Canada, where medical officers had tried to weed out recruits with emotional instability.

The methods that were used were no better than flipping a coin, Copp, the author of two books on the history of combat stress, said in an interview. None of it worked in terms of predicting who would break down or who would not break down under conditions of combat.

In a prophetic report filed at the end of the war, Van Nostrand said he was unsure doctors would ever solve the vast problem of the psychiatric breakdown of soldiers during war.

It is my opinion, he wrote, that the methods now employed in the British, American, and Canadian armies will not materially lower the incidence of psychiatric casualties in a fighting force.

There are various reasons for these opinions but two of them are fundamental: First, there is direct conflict between the needs of the service and the needs of the individual soldier as assessed by his physician. Secondly, the attitudes and behaviour of the successful soldier are contrary to most of his previous teaching. He must not allow death or mutilation of his comrades to prevent him from reaching his objective, and finally, he must pretend that he is glad to risk his life for that cause.

Van Nostrand pleaded with military planners to accept that normal people cannot always manage the exceptional stress of war. Every soldier has his breaking point, he warned.

Ted Patrick had bumped up against his breaking point.

Ted Patrick.Wayne Cuddington / Ottawa Citizen

After the Second World War, Patrick returned home to Ottawa and buried his memories. It was a common approach. He married, took a job in the civil service, and launched a bee-keeping business to supplement his income.

All the while, however, the tide of war washed over his subconscious. Patrick sometimes attacked his wife in the middle of the night, believing her to be an enemy soldier; she eventually began to sleep in a separate bedroom. Other times, hed wake up sobbing.

Patrick scrupulously avoided the legion hall and regimental reunions anything that brought the war to mind. He was also extremely cautious. He didnt like to go to unfamiliar places; he was, he said, like a rat that stayed close to a wall.

I would not take a chance on getting hurt or having the family hurt. I was always extremely cautious and went around danger, he once told an interviewer.

It wasnt until the 1980s that Patrick was finally diagnosed with PTSD; his psychiatrist urged him to confront his wartime trauma. Talking about his experiences and sharing his memories eased Patricks anxiety. Late in life, he became a dedicated volunteer at the Canadian War Museum and travelled to Holland for ceremonies to commemorate the countrys liberation.

He died in February 2015.

Gordon Forbes poses for a photo in his home in Ottawa Tuesday Oct 29, 2019.Tony Caldwell / Postmedia

Lt. Gordon Forbes

Gordon Forbes, 76, of Orlans, was on board H.M.C.S. Kootenay 50 years ago during the worst peacetime disaster in the history of the Royal Canadian Navy an event that would colour much of his life.

On Oct. 23, 1969, H.M.C.S. Kootenay was in the North Atlantic, returning to Halifax from a NATO naval exercise. At 8:21 a.m., during a full power trial a drill to test the destroyers performance at top speed an explosion ripped through the ships engine room. A mass of flames shot from a broken gearbox, setting fire to the 10 men inside of the room.

Only three escaped alive.

Thick black smoke quickly filled the lower decks, but its source wasnt readily apparent to those on the bridge, including Lt. Gordon Forbes, the ships weapons officer who was responsible for Kootenays 50 tonnes of ammunition.

Engineering Officer Al Kennedy, one of those to escape the engine room, stumbled into the bridge, blackened and badly burned: Fire in the engine room, he announced.

That posed problems. The ships firefighting equipment was stored near the engine room, and the ships main ammunition magazine was immediately behind it. A sailor reported the bulkhead between the two was already hot.

Divers donned tanks and masks to descend into the smoke: They retrieved the ships firefighting equipment and rescued sailors trapped by the blinding smoke. Forbes sprayed down the magazine to reduce the threat of a catastrophic explosion.

If the magazine had blown up, it would have destroyed the ship, he told this newspaper.

It took about three hours to bring the fire under control; the magazine was then flooded to better stabilize the munitions.

Those on board were told not to talk about the disaster, which had killed nine of their fellow sailors. No one really knew how to deal with it, said Forbes.

At the time of the Kootenay disaster, the Vietnam War was in full swing: In 1969, the number of deployed U.S. troops peaked at 549,000.

HMCS Kootenay approaching flight locks, Welland canal.CF Photo Unit / Brown

Curiously, few soldiers reported battle fatigue symptoms in Vietnam. Army officials attributed that development to limited battlefield exposure: Soldiers were rotated through the war on one-year tours of duty. It gave them a firm date by which their wartime ordeal would end.

Many military planners thought the problem of battlefield stress injuries had been solved.

Instead, of course, it had simply gone to ground. Tens of thousands of soldiers returned from Vietnam traumatized: afflicted by nightmares, insomnia, depression, rage, paranoia and addictions. Psychiatrists labeled the phenomenon delayed psychiatric trauma or post-Vietnam Syndrome since some thought the disorder was unique to Vietnam.

It was the first time that psychiatrists recognized that stress injuries were not always immediate, but could announce themselves months, even years, later.

Psychiatrists who worked with Vietnam veterans lobbied to have the disorder formally recognized, and in 1980, the authoritative American Psychiatric Association made PTSD part of its Diagnostic and Statistical Manual of Mental Disorders.

The formal recognition of PTSD had profound consequences and allowed for better diagnosis and treatment. Therapists recognized the same disorder in Holocaust survivors, sexual assault victims, first responders and others afflicted by traumatic events such as the Kootenay explosion.

Sub-Lieut. Clark Reiffenstein, one of those who donned scuba gear to plunge into the ships smoke-filled lower decks, died of suicide one month after the fire. He was posthumously awarded the Star of Courage.

Many other Kootenay sailors struggled with alcoholism, nightmares and anxiety.

In 1990, Gordon Forbes was diagnosed with clinical depression soon after retiring from the navy. He suffered from paranoia and had difficulty sleeping. His condition was later linked to PTSD and recognized as a service injury by Veterans Affairs Canada.

It was one measure of the advance in the militarys approach to psychiatric infirmity.I was very pleased that they started to recognize PTSD, he said, and not just throw people out of the service on medical grounds, which is what happened to people who went to get help after the Kootenay fire.

In 2010, Forbes published a book, We Are As One, about the disaster and its emotional aftermath. Researching and writing the book, he said, was a cathartic experience for everyone involved: I had so many men come up to me after I wrote the book and say, I thought I was the only one.

Natacha Dupuis is a former Canadian soldier and Afghan vet who suffered debilitating PTSD after her war service.Julie Oliver / Postmedia

Master Cpl. Natacha Dupuis

Ten years ago, in March 2009, Master Cpl. Natacha Dupuis was put in charge of her first mission with the reconnaissance squadron of the Royal Canadian Dragoons: a week-long foot patrol in Kandahar Province.

Qualified as a tank gunner, she had served in Bosnia and was on her second tour of duty in Afghanistan.

Leaving the Forward Operating Base Frontenac, a military outpost near Kandahar, Dupuis led her patrol to a hilltop camp. The next morning, as the patrol departed, a massive explosion ripped into the armoured vehicle behind Dupuis vehicle. The 14-tonne Coyote was blown into the air and landed on its roof.

Dupuis helped to collect the remains of two dead soldiers while preparing for a secondary attack that never came.

Her team was quickly evacuated, but Dupuis kept reliving the incident and re-imagining the terrible scene. For days, unable to turn off her flow of adrenaline, she couldnt sleep. A psychiatrist prescribed her sleeping pills, but she struggled through each day and often sought out a private place to cry.

She willed herself through her final two months of service in Afghanistan.

As soon as she returned home to Petawawa, however, she fell apart: Dupuis suffered powerful flashbacks and panic attacks that left her gasping for air. Diagnosed with PTSD, she transferred to Ottawa, then took a leave. She left the military for good in 2014.

Her story is a familiar one. A Veterans Affairs Canada report last year revealed that about 16 per cent of Canadas Afghan veterans more than 6,700 soldiers have been diagnosed with PTSD.

The PTSD rate remained high in Afghanistan even though the military had tried to carefully prepare soldiers for the stress of war.

Soldiers were briefed about the nature of stress injuries and the importance of seeking early treatment. Those leaving Afghanistan were given an overseas decompression period and repeatedly screened for PTSD or related afflictions. But the psychological inoculation of soldiers did little to reduce the overall incidence of PTSD.

I personally feel I was absolutely ready to face going to Afghanistan, said Dupuis. I was given very good training and it showed. We were able to react to the IED attack. But how do you prepare people to see a horrible scene like that?

After her diagnosis, Dupuis explored a variety of treatments, including cognitive therapy, a kind of talk therapy designed to help patients identify negative patterns in the way they perceive and deal with everyday events.

At Montfort Hospital, she tried a newly developed treatment, eye movement desensitization and reprocessing (EMDR), which had been shown to help people process their traumatic memories through a series of guided, rapid eye movements. The therapy is believed to mimic the beneficial effects of rapid-eye movement (REM) sleep, which plays a role in the healthy storage of emotional memories.

EMDR was really difficult, said Dupuis. It would drain me a lot because it takes you right back to the trauma: You would feel like you are still there.

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A century of trauma: Tracing the evolution of PTSD through four soldiers - Ottawa Citizen

Accessory maker Datel has had two attempts at making the ultimate Pokmon GO companion device: the Go-tcha and the Go-tcha Ranger. Both mimic the functionality of the Pokmon GO Plus (and the later Pokball Plus) but with one massive advantage they automate functions such as swiping nearby Pokstops and catching 'mon, so you don't have to interact with the device at all; it does all of the busy work for you.

We really like both of the previous Go-tcha devices, but with one huge caveat both of our review units completely failed after a few months (we actually had two of the original Go-tcha units die on us). Reliability is clearly a big problem with these devices, which makes reviewing the Go-tcha Evolve a little tricky; as much as we like it (and believe us, we do), we can't be entirely sure it will still be ticking over in six months. But for the time being, let's approach this latest accessory with a fairly open mind.

Like the original Go-tcha, the Go-tcha Evolve resembles a fitness tracker. It's a much larger unit than the original, but its design is arguably less obnoxious, so you don't need to feel self-conscious about wearing it in public (it's certainly a lot less obvious than the Pokmon GO Plus with its flashing multicolour LED). The strap is available in four colours Dynamic Grey, Trailblazer Blue, Globetrotter Green and Daredevil Red and is pretty comfortable. The main unit has a reasonably bright colour screen which displays information and cute little animations, and can be interacted with via a single touch-sensitive button.

Charging is handled by a full-size USB port which is accessed by removing the upper part of the strap. This is quite a tough process (so much so that the unit comes with an instruction sheet focused purely on how to charge the device) and it often feels like you're going to break something; Datel recommends that you remove it by pulling it at a 45-degree angle. This connection also means that the Go-tcha Evolve isn't water-resistant, so you'll want to make sure you remember to take it off before having a bath or shower. The unit takes about 1 and-a-half hours to fully charge, and a charge lasts a fair few days, depending on how much you use the device. For example, after a week of fairly casual use, our unit still has a single bar of battery remaining.

Tapping the single button on the front of the unit wakes it from sleep, and subsequent taps move you through the menu system one option at a time. You can choose to toggle things like auto-catching (of both known and unknown monsters you can choose to ignore ones you already have in your Pokdex) and auto-swiping of Pokstops, as well as vibration alerts. The unit will also show if your Go-tcha Evolve is currently connected to your phone, and you can choose to have it display the time and date when it wakes from sleep, instead of the standard startup animation. You can choose to turn off the automatic processes if you so wish, and manually tap the device to execute a catch or Pokstop swipe.

But that's not all! There's a pedometer that tracks how many steps you've taken, and it's pretty accurate from what we can ascertain it kept pace with our Apple Watch, at least. You can also choose to totally silence the device so no alerts come through, which is handy when you're in a quiet environment and don't want it constantly flashing and vibrating. Speaking of the latter, the motor inside the Go-tcha Evolve is a little bit feeble and unless you're standing totally still, you often can't feel when it's vibrating.

The Go-tcha Evolve is listed as being compatible with the iPhone 5s, iPhone 6, iPhone 6 Plus, iPhone 6S, iPhone 6S Plus, iPhone SE, iPhone 7, iPhone 7 Plus, iPhone 8, iPhone 8 Plus, iPhone X, iPhone XS, iPhone XS Max, iPhone XR devices with iOS 10.0 or later installed. We'd also assume that the latest iPhone 11 models are supported. On the Android side of things, the requirement is a device with 2 GB RAM or more, Bluetooth Smart (Bluetooth Ver. 4.0 or higher) capability, and Android 5.0 or higher. There's a dedicated app available for both iOS and Android which allows you to toggle various settings more easily, as well as download firmware updates for the device itself. To connect the Go-tcha Evolve to the app, you'll need to make sure it's not currently connected to Pokmon GO itself.

As you might expect, the Go-tcha Evolve behaves very much like a Pokmon GO Plus, albeit with the ability to automate functions. Pokmon GO sees the device as a Pokmon GO Plus, so there's no way that Niantic can 'disable' it from the app (it's worth stressing that this product is 100% unofficial and not sanctioned by Nintendo, The Pokmon Company or Niantic). However, it also means that the Go-tcha Evolve is subject to the same limitations as the Pokmon GO namely, it won't stay connected forever and often disconnects at seemingly random times. We assume this has much to do with how your phone handles RAM management (we were using an iPhone XR, which has a rather pathetic 3GB of memory), but it's hardly a deal-breaker; when it happens, you just open the app, tap the Pokmon GO Plus icon, wake the Go-tcha Evolve and the connection is re-established.

Right now, we can't fault the Go-tcha Evolve. It improves on the original model and the full-colour screen is a real bonus. It's slightly larger, but it's not what we'd call an ugly product so there's no real shame in being seen wearing it when you're out and about. Battery life is good, and the fact that it tracks your steps as well as helps your monster hunting makes it even more appealing (especially as the process of playing Pokmon GO is sure to boost your daily step count).

The real question is: how long will this thing last? Datel's track record in this regard leaves something to be desired, and while we can't say for sure that the Go-tcha Evolve will suffer the same fate as its flaky predecessors, we can only offer a cautious recommendation at present. We'll update this review if the situation changes over the next few months, but for the time being, this appears to be the dream device for dedicated Pokmon GO players.

Please note that some links on this page are affiliate links, which means if you click them and make a purchase we may receive a small percentage of the sale which helps support the site. Please read our FTC Disclosure for more information.

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Hardware Review: Go-tcha Evolve - The Pokmon GO Plus Killer - Nintendo Life

NEW YORK--(BUSINESS WIRE)--The most beloved, wonder-filled science franchise in television history returns with a new, 13-episode, mind-blowing adventure when COSMOS: POSSIBLE WORLDS premieres March 9 on National Geographic. This out-of-this-world trip through space and time will transport viewers across 13.8 billion years of cosmic evolution and deep into the future.

The next chapter of COSMOS, announced in celebration of what would have been visionary Carl Sagans 85th birthday this Saturday, Nov. 9, continues the legacy of the groundbreaking series co-written with Ann Druyan and Steven Soter, which was broadcast to a global audience 40 years ago. COSMOS: POSSIBLE WORLDS airs on Nat Geo in 172 countries and 43 languages and on FOX this summer. The previous season was seen by over 135 million people worldwide.

This Emmy-winning, worldwide phenomenon is the brainchild of Emmy and Peabody Award winner Ann Druyan, creative director of NASAs legendary Voyager Interstellar Message, who serves as creator, executive producer, writer and director, and Emmy-winning and Academy Award-nominated executive producers Seth MacFarlane (The Orville, Family Guy), Brannon Braga (The Orville, Star Trek) and Jason Clark (The Orville, The Long Road Home).

Neil deGrasse Tyson, an astrophysicist with the American Museum of Natural History, host of the four-time Emmy-nominated StarTalk series and best-selling author (Death by Black Hole, Letters from an Astrophysicist), returns as host and series executive science editor. This season begins with him on the shores of the cosmic ocean as COSMOS enhanced and upgraded Ship of the Imagination and Cosmic Calendar return, taking viewers on a journey through time and spanning a stunning variety of worlds. Throughout these adventurous episodes, COSMOS: POSSIBLE WORLDS integrates one-of-a-kind VFX, animations, holograms and stylized reenactments to carry viewers to never-before-seen worlds and meet unsung superheroes who have made possible our understanding of lifes spectacular voyage from its origin at the bottom of the sea to its possible future on the exotic worlds of distant stars.

This third season of COSMOS: POSSIBLE WORLDS is our boldest yet, says Druyan. The Ship of the Imagination will carry us places we never dared to venture before: lost worlds and worlds to come, deep into the future and straight through that hole in the curtain masking other realities and all of it rigorously informed by science and made real by lavish VFX.

National Geographic is proud to be the worlds leading destination for viewers who are passionate about science and exploration, says Courteney Monroe, president of global television networks at National Geographic. Which is why were excited for the next chapter of the most-beloved and most-watched science show to date, COSMOS, to return to our air. COSMOS: POSSIBLE WORLDS takes complex themes from astrophysics, astronomy and anthropology and makes them accessible and entertaining for millions of people around the world to devour.

COSMOS: POSSIBLE WORLDS ventures to previously uncharted territories: starting back to the dawning of our universe, moving forward to the futuristic 2039 New York Worlds Fair and then far beyond into the distant future on other worlds. Visit an open house in the first apartment ever built and climb a 10,000-year-old stairway to the stars. Return to the foreboding Halls of Extinction, with living dioramas of the broken branches on the tree of life, and venture to the new, glorious Palace of Life, with its soaring towers filled with vibrant marine creatures. Stand beneath its Arch of Experience to know what its like to soar with the eagles or swim with the whales on their epic voyages.

Associated with the series are some of television and films most revered creatives across all crafts, including Emmy-nominated cinematographer Karl Walter Lindenlaub (Independence Day, Stargate); Academy Award-winning and Emmy-nominated costume designer Ruth E. Carter (Black Panther, Roots); Emmy-winning and Academy Award-nominated composer Alan Silvestri (The Avengers, Forrest Gump, Contact); visual effects supervisor Jeffrey A. Okun (Clash of the Titans, Blood Diamond); and supervising animation directors Lucas Gray (The Simpsons, Family Guy), Emmy-nominated Brent Woods (American Dad!, Family Guy) and Academy Award-nominated Duke Johnson (Anomalisa, Mary Shelleys Frankenhole).

Many celebrities compose the noteworthy corps of actors who lend their voices to COSMOS: POSSIBLE WORLDS. This season includes Academy Award-nominated and Emmy Award-winning actor Seth MacFarlane (The Orville, Family Guy) as President Truman; Emmy- and Golden Globe-nominated actor Sir Patrick Stewart (Star Trek, X-Men) as German, British-born astronomer William Herschel; Academy Award-nominated Viggo Mortensen (The Green Book, The Lord of the Rings) as Soviet plant geneticist Nikolai Vavilov; and Judd Hirsch (A Beautiful Mind, Independence Day) as Robert Oppenheimer, famously known as the Father of the Atomic Bomb. Sasha Sagan, Druyan and Sagans daughter, appears in a recurring live-action role as Sagans mother, Rachel Gruber Sagan.

In conjunction with the launch of the new season, National Geographic Books is publishing a companion book, Cosmos: Possible Worlds, by Druyan, the long-awaited follow-up to Sagans international bestseller, Cosmos.

COSMOS: POSSIBLE WORLDS is produced for National Geographic and FOX by Cosmos Studios, the company Ann Druyan co-founded in 2000, and Seth MacFarlanes Fuzzy Door. Druyan and Brannon Braga are the series writers and directors. Druyan, MacFarlane, Braga and Jason Clark executive produce. Kara Vallow (Family Guy, American Dad!) co-executive produces, and Joseph Micucci (Patriots Day, Ted 2) produces. For National Geographic, Kevin Mohs is executive producer and Geoff Daniels is EVP of global unscripted entertainment.

Like COSMOS: POSSIBLE WORLDS on Facebook at CosmosOnTV. Follow the series on Twitter @CosmosOnTV. See photos and videos on Instagram by following @CosmosOnTV.

About National Geographic

National Geographic Partners LLC (NGP), a joint venture between the National Geographic Society and Disney, is committed to bringing the world premium science, adventure and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo PEOPLE) with National Geographics media and consumer-oriented assets, including National Geographic magazines; National Geographic studios; related digital and social media platforms; books; maps; childrens media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose of National Geographic for 131 years, and now we are committed to going deeper, pushing boundaries, going further for our consumers and reaching millions of people around the world in 172 countries and 43 languages every month as we do it. NGP returns 27 percent of our proceeds to the nonprofit National Geographic Society to fund work in the areas of science, exploration, conservation and education. For more information visit natgeotv.com or nationalgeographic.com, or find us on Facebook, Twitter, Instagram, YouTube, LinkedIn and Pinterest.

About Cosmos Studios

Co-founded in 2000 by CEO and visionary Ann Druyan, Ithaca, NY-based Cosmos Studios creates, produces, and distributes eye, brain, heart and soul-nourishing science-based entertainment in all media.

Cosmos Studios aims to tear down the walls that have excluded so many from the scientific enterprise. We work to demystify the language, values, and drama of science, to give everyone the power of its permanently revolutionary methodology.

Carl Sagan, and those privileged to work with him, demonstrated that there is a world-wide appetite for compelling entertainment that reflects our dawning awareness of cosmic evolution and our place in its great story. There is a planet-wide hunger for images and dreams that reflect our radically altered sense of who, where, and when we are where we might go, who we might become.

In collaboration with award-winning writers, artists, filmmakers, producers, researchers, engineers, educators, artists, and a growing list of partners across science, communications, and finance, we seek to touch audiences with the soaring spiritual high that comes from grasping science's central revelation- our oneness with the cosmos.

Come with us at http://www.cosmosstudios.com on Facebook at http://www.facebook.com/CosmosStudiosOfficial/ on Twitter at http://www.twitter.com/cosmosstudios on Instagram at http://www.instagram.com/cosmosstudiosofficial/

About Fuzzy Door

Led by writer, producer and director Seth MacFarlane and president Erica Huggins, Fuzzy Door is the production company behind many of todays most successful film and television projects. With potent irreverence, biting satire, rule-breaking humor, compelling social issues and engaging storytelling, it has created an enviable portfolio of award-winning properties. Currently, the company produces the Hulu space adventure series The Orville; the beloved and Emmy-winning animated comedy series Family Guy, which is currently celebrating its 20th anniversary; and the fan-favorite series American Dad!, now airing its 14th season. Fuzzy Door strategically built on the success of the 1980s Cosmos series by producing the award-winning Cosmos: A Spacetime Odyssey, which garnered 13 Emmy nominations and was seen by more than 135 million people worldwide, and is gearing up for the next installment, COSMOS: POSSIBLE WORLDS, set to air in 2020. On the film side, Fuzzy Door has created several commercially successful comedies, such as Ted, Ted 2 and A Million Ways to Die in the West, which have collectively grossed more than $800 million at the worldwide box office. The company is committed to weaving a socially conscious and intellectually curious thread through projects to bring fearless, innovative and bold stories to life, while maintaining its trademark sense of humor and wonder.

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COSMOS Returns! Season 3 of the Most Celebrated Science Show on the Planet to Premiere March 9, 2020, on National Geographic - Business Wire

A shift in cultural valuesled by new design ideas such as fluid layouts, sustainability and a form of minimalismis paving the way for a more dynamic and modern mode of Indian architecture.

From the marble-clad Lotus Temple in New Delhi and the energy-efficient Pearl Academy of Fashion in Jaipur, to the iconic House on Pali Hill in Mumbaimodern Indian architecture is a striking ode to the nations evolving diversity in cultural values and lifestyles.

An increasingly informed consumer has become an integral part of the fluid network of minds that execute the design process. This convergence of stakeholders influences important transformations in conception and process. As countless emerging trends reformat our relationship with space, there are three interlocking principles that frame this design era.

First, there is a deep emphasis on responsible design. Design that is not only socially and environmentally harmonious but also thoughtful of its place in a broader blueprint of urban planning.

Second, fluid spaces and open layouts take precedence; creating visually striking forms that are both intimate, accessible and fresh.

Third, a reignited experimentation of functionality that balances uniquely Indian, visually striking spaces.

Responsible design

Conscious creation is the call of the hour. The overlapping impact of a growing population, environmental concerns and social costs have driven industry-natives and consumers alike to rethink the far-reaching costs and benefits of development.

Contemporary constructions are conceived with the understanding that they are not isolated forms. Everything from their plumbing systems and electric framework affects their immediate landscape, neighbouring communities and larger urban ecosystem.

Innovations such as vertical gardens on skyscrapers, green office spaces and rainwater harvesting systems are an example of modern projects minimising their carbon footprints and delivering inventively human-centric spaces.

There is a large team of diverse experts involved in manifesting smart spaces. However, the exclusive talent of the architect and designer is their ability to influence behaviour.

A well-designed space encourages utilisation. Large windows in an alpine home, for example, swallow the areas short hours of sunlight. Warming the proximate rooms and lighting them efficiently through the day.

In a tropical landscape, south-facing balconiesoriented against direct sunlight with louvred fencing and a strategic water body accent naturally cool breezes channelled through the panelled frames.

Intuitively, residents maximise their use of these areas. Thereby, limiting the use of artificial temperature control or lighting.

Fluid spaces

In larger commercial developments or expansive residences, fluidity is the key to ensuring access and interaction. In a large development, closed spaces could provide seclusion at the risk of isolation.

Design plays a key role in office spaces where employees in one area form a collective core and rarely move to interact with their cross-departmental colleagues. Going beyond the barriers established by corporate infrastructure, conventional office spaces that are designed in bleached tones and arranged to reinforce hierarchies through corner offices or name plaques exude a sense of separation.

Similarly in historic palaces or mansions constructed to offer both protection and prestige to its owners, living quarters are not so much private as they are barricaded and fortressed.

As modern city dwellers, we crave a balance of serenity and human connection. Fluid spaces common to contemporary blueprints offer exactly that.

A kitchen with an island and floating appliances can open into the garden for outdoor dining. It can accommodate a bar area that connects with the living room or swimming pool. Suddenly, its no longer just a kitchen but a flowing space with the ability to seamlessly serve numerous occasions and functionsfrom formal dinners and large parties to quiet afternoons with the family.

Indian experimental

Every era of design seeks a fingerprint for itself. Experimentation is an instrument of this evolution. Modern Indian architecture, in recent years, reflects a poetic return to the use of locally sourced materials and Indian craftsmanship, both of which are dispensed in reimagined, contemporary formats.

Even as eclectic tastes evolve, functionality remains paramount. Neo-Indian consumers seek a uniquely defining aesthetic palette that is pragmatic enough to support our increasingly fluid, secular and fast-paced lives.

Architecturally, traditional Indian elements like open pavilions and hallways complement the rise of fluid layouts in contemporary forms. Supplementally, materials like red bricks and local stones create an earthen warmth by pulling the outdoors, indoors.

A host of established and emerging home decor studios have risen to cater to the growing demands of this niche and rapidly evolving genre: whether it be organic fabric with minimalist Rajasthani prints or recycled wood furniture hand-painted with traditional elements.

This trend, like most that seek a fusion of disparate styles, requires invention. A traditional fixture cannot arbitrarily be assembled into a contemporary home. Adjusting the elements, forms and spaces to fuse together is not only a rigorous feat for design but it demands cohesive ingenuity in engineering, landscaping, electrical wiring, plumbing and lighting.

Turnkey experimentation catalyses progressive design. We are not only forging an era-defining neo-Indian aesthete, but we are also collecting a canon of work that will be a reference point for socially and environmentally harmonious architecture that aids future generations. So for many years to come, culture will not only influence but also depend on the far-reaching advantages of inventive, functional and responsible design.

The author is a Delhi-based architect and founder of an eponymous studio that offers comprehensive design-and-build services

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We are at a new juncture in modern Indian architecture - The Sunday Guardian

Jogen Chowdhury at his exhibition at the Kolkata gallery. (Source: Emami Art, Kolkata Centre for Creativity)

The ongoing exhibition Reverie & Reality at Emami Art, Kolkata Centre for Creativity, brings together your work of over six decades. How do you look at the evolution? You had earlier mentioned how you would look at the larger picture but it seems that now details interest you more.It is interesting for me to look at so many years of my work. Every exhibition is of interest to the artist. In my career, I would have made over 2,000 works and this show brings together 125 from my personal collection, and 75 more. It is around 1/10th of what I might have done. The display includes life studies and portraits I made as a college student, that tell curious visitors how I started my work. The later works include oils, watercolours and, also, more intricate lines in my cross-hatchings that depicted intense expressions. I also started using more colour.

Do memories of your early childhood, from Faridpur in Bangladesh, colour your work?

We used to live in a village that had trees and temples all around. My father was a zamindar with a lot of land. There was a community hall, outside which the Durga Puja mandap would be set up. We would have community theatre performances, where the villagers would participate. During the festive season, I used to observe the kumbharas (artisans) create statues of Durga and Saraswati. I would pick up the natural colours left by artisans and paint with them. I was extremely influenced by the manner in which they depicted Durgas eyes. This influence reflects in my work as well. I often draw larger-than-life eyes of women.

During Partition, you were eight or nine years old. In what way did your trauma leave a lasting impact on your work?That was a hard time for us. Initially we stayed with my uncle. My father got a job but he was not interested, so the onus of looking after the family fell on my elder brother. The refugees played a major role in the Left movement at the time and my two elder brothers also joined the Communist party. I was not directly involved in politics and disagreed with some of their ideologies but the situation did make me socially and politically more conscious. I began reading a lot of magazines and writing poetry.

In the past, youve lamented how back then there was no formal teaching of art history. When did you join art college?I used to draw a lot. My father used to draw often and my mother did alpona (floor art) and was good at stitching. Perhaps, I got my artistic talent from them. My family was very supportive when I decided to pursue art. I did well in art college. Our college (Government College of Art & Craft, Kolkata) was established by the British and so was the academic course. There wasemphasis on technique, with still life, nature studies, portraits, life studies and realism. Our exposure to art history was through visiting lectures by historians and the likes of filmmaker Bimal Roy. There was a very good library that had journals with writings of the Tagores, Nandalal Bose and several art critics.

Several of your earlier works were dark. Is it true that you sold your first work for Rs 125?When I was in art school, it was all very realistic and academic. When I graduated from college, I started thinking about experimenting, how I should approach art in a way different from others. In those years, I was an art teacher in a school in Howrah. My art was rooted in the social situation. I started representing people around me. There was also satire in my work. I was still in college when a visiting foreigner purchased a street scene I painted. At my first solo at Academy of Fine Arts, Kolkata (in 1963), I sold only one work, forRs 125. The exhibition was visited by several of my friends, including (poet) Shakti Chattopadhyay, (artist) Gopal Ghose. We went to a cafeteria to celebrate. Earlier, when we made art, the idea was not to sell. We were doing artwork like a poet writes poetry.

For a long time after you returned to India from Paris where you went in the 1960s, on a scholarship, to the cole nationale suprieure des Beaux-Arts you did not produce much work.International exposure disturbed the continuation of the work that I had been doing. In Paris, I saw several works by artists who have contributed to the development of modern art, and I was left wondering what should I do. I could not do what people in Europe were doing; that was based on their ideas. I was restless and continued to make drawings that were expressive. Finally, when I returned, I joined the Handloom Board in Madras (now Chennai). I wrote around 100 pages to understand what I should do. These writings were later published. I developed my own visual language. I was looking at our own country, the society, poverty and illiteracy. All along, my main subjects have been the people.

In your work, you have also commented on the politics of the times. One of your seminal works, Tiger in Moonlit Night criticised the Emergency. At the same time, you admired Indira Gandhi.I was a curator at the Rashtrapati Bhavan when Emergency was declared, so I found myself in the middle of what was happening.Tiger in Moonlit Night showed a dead lady being attacked by a tiger in a moonlit sky. It depicted the fake emergency, and was an interplay between the real and the unreal. I admired Indira for several reasons, including her ability to take immediate decisions. She was in Santiniketan when Rabindranath Tagore was still there. During her time, art and culture were flourishing in India. Now, I dont think that is continuing.

How has it been to see politics more closely as a member of the Rajya Sabha? You have been sketching portraits of politicians in the House.When I entered Rajya Sabha, I found itinteresting to see several people whom I had only seen in newspapers till then. I started drawing portraits, and have completed almost 50 pages, with five-six people on each page. This includes portraits of politicians such asGhulam Nabi Azad, Manmohan Singh, Sushma Swaraj and Smriti Irani. I hope to bring out a book before my term ends in April. I was always socially conscious, so when I entered Rajya Sabha in 2014, I was able to follow what people were talking about but I felt that for several people, politics is a profession. Not everyone is thinking about the nation. Some of the good ideas are not understood by everyone. After my tenure ends, I will concentrate more on my art. I am hungry to work more. I am old now and whatever time is left, I want to spend working for the sake of art.

Youve been buying works by young artists. And, this year, you opened the Jogen Chowdhury Centre for Arts in Kolkata.

I began by buying works of my students when I was a teacher at Santiniketan, which I joined in 1987. That encouraged young students. Through the centre, I want to generate more interest in visual art and cultural activities; involve the people. It has space for residencies and showcases several of my own works from my personal collection.

This article appeared in the print edition with the headline All along, my main subjects have been the people

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An exhibition revisits six decades of artist Jogen Chowdhurys body of work - The Indian Express